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Bridging the Interpretive Abyss
As readers and interpreters, how might our understanding of the New Testament change if, unlike historicism with its colonizing agenda and its focus on ancient contexts, we took contemporary global crises, including mass incarceration, a pervasive culture of torture, the HIV pandemic, and the legacies of enslavement, as our starting point for reading biblical texts? Luis Menéndez-Antuña demonstrates how a cultural studies approach that centers twenty-first-century queer existence and experiences of suffering illuminates rather than obscures ancient New Testament contexts. Each chapter weaves together a biblical text, different works of art, and a political crisis. This hermeneutical approach bridges the abyss between the past and present, the Global North and the Global South, biblical scholarship, humanities, and social sciences. Readers coming to the New Testament text with political and ethical concerns will find new emancipatory strategies, making this volume essential reading for scholars and students.
Whiteness and the Visual Appropriation of Race in 1980s Britain
This volume delves into the complex topic of race relations in 1980s Britain by examining the concept of ‘whiteness’ and how it was portrayed visually in popular art and mass media. Chapters explore pivotal moments in which the appropriation of race occurred during this critical decade as they relate to the nation’s evolving postcolonial identity. This book analyses pivotal cultural moments in print media, fashion, film, television, music video, art, and live events that exemplify how race, gender, and sexuality became operative in the way Britain imagined itself in this crucial decade. It contends that the lens of its former colonial empire played a significant role in shaping Britain’s self-image throughout the 1980s despite its appearance as a postcolonial and multicultural nation. The book will be of interest to scholars working in art history, visual culture, media studies, cultural studies, and critical race theory.
The Ball is Round
THE DEFINITIVE, CRITICALLY ACCLAIMED BOOK ABOUT FOOTBALL 'Football conquered the world with its capacity to astonish, and this is its definitive history' The Independent There may be no cultural practice more global than soccer. Rites of birth and marriage are infinitely diverse, but the rules of soccer are universal. No world religion can match its geographical scope. The single greatest simultaneous human collective experience is the World Cup final. In this extraordinary tour de force, David Goldblatt tells the full story of football's rise from chaotic folk ritual to the world's most popular sport. The Ball Is Round illuminates football's role in the political and social histories of mod...
Family Records
Index of pedigrees and alliances many a noble lord, paramount in his own country, would be astonished to find that his less distinguished neighbour was of a nobility as ancient as his own.
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British Art in the Nuclear Age
Rooted in the study of objects, this book addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Far from insular in its concerns, this volume draws upon cross-cultural dialogues between British and European artists and the relationship between Britain and America to engage with an interdisciplinary art history that will also prove useful to researchers in a variety of fields including European history, politics, design history, anthropology, and media.
