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Eight and a Half
8 1/2 is among the greatest films of one of the masters of Italian cinema, Federico Fellini. This is the first English translation of the dialogue and the first complete continuity script of 8 1/2. This richly comic work, long recognized as the most important expression of the director's views about himself and his art, communicates to its viewers an understanding of the processes of filmmaking itself. 8 1/2 is the story of a director's efforts to make a film; it depicts the conditions of creativity, the struggle waged between the individual and the world, a struggle that finally makes some sense out of life and art.
The Cultural Identities of European Cities
Cities are both real and imaginary places whose identity is dependent on their distinctive heritage: a network of historically transmitted cultural resources. The essays in this volume, which originate from a lecture series at the Institute of Germanic & Romance Studies, University of London, explore the complex and multi-layered identities of European cities. Themes that run through the essays include: nostalgia for a grander past; location between Eastern and Western ideologies, religions and cultures; and the fluidity and palimpsest quality of city identity. Not only does the book provide different thematic angles and a variety of approaches to the investigation of city identity, it also emphasizes the importance of diverse cultural components. The essays presented here discuss cultural forms as various as music, architecture, literature, journalism, philosophy, television, film, myths, urban planning and the naming of streets.
Slices of Life: Italian-American Stories
The book contains collective memoirs about family traditions, memories, travel stories and special Italian American memories. It is a keepsake for future generations. Also, the book shows the ways in which we remain connected to our Italian traditions and memories.
American Aunt
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The Child in British Cinema
This book argues that over the twentieth and twenty-first centuries, the cinema in Britain became the site on which childhood was projected, examined, and understood. Through an analysis of these projections; via case studies that encompass early cinema, pre and post-war film, and contemporary cinema; this book interprets the child in British cinema as a device through which to reflect upon issues of national culture, race, empire, class, and gender. Beginning with a discussion of early cinematic depictions of the child in Britain, this book examines cultural expressions of nationhood produced via non-commercial cinemas for children. It considers the way cinema encroaches on the moral edific...
Nazi Germany
The volume reproduces a set of recently-published articles demonstrating the embeddedness of Nazi genocide and other crimes against humanity in a German society that was haunted by practices of denunciation. Far from being an inexplicable invasion of evil into otherwise sound German society, the genocide and other crimes against humanity were committed not merely by members of SS organizations but by common people, civilians and military men alike, within Germany as well as in occupied territories, during the late 1930s and World War II. Although analyzing the past, the book also seeks contribute to current debates on the causes of genocide and other crimes against humanity.
