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Never Going Back
Drawing on interviews with leading gay and lesbian activists across Canada, Warner chronicles and analyzes a tumultuous grassroots struggle for sexual liberation, legislated equality, and fundamental social change.
Trees as Symbol and Metaphor in the Middle Ages
WINNER: AFCEMS Prize 2024 Highlights human encounters with the forest and its trees at the time of the European Middle Ages, when their lofty boughs were weighted with meaning. Forests, with their interlacing networks of trees and secret patterns of communication, are powerful entities for thinking-with. A majestic terrestrial community of arboreal others, their presence echoes, entangles, and resonates deeply with the human world. The chapters interrogate the pre-Anthropocene environment, reflecting on trees as metaphors for kinship and knowledge as they appear in literary, historical, art-historical, and philosophical sources. They examine images of trees and trees in-themselves across a range of environmental, material, and intellectual contexts, and consider how humans used arboreal and rhizomatic forms to negotiate bodies of knowledge and processes of transition. Looking beyond medieval Europe, they include discussion of parallel developments in the Islamic world and that of the Māori, the indigenous people of New Zealand.
Ecologies of Ecstasy
What might religious practice learn from plants? Recent years have seen the emergence of critical plant studies, and philosophers have found a radical mode of thought in vegetal life. Ecologies of Ecstasy recasts religious contemplation as a form of vegetal being, arguing that spiritual practice is rooted in the generation of life on earth. Simone Kotva explores the role of vegetal life in the history of Christian mysticism and the practice of contemplation, demonstrating its significance to the concept of mystical union, which rests on the loss of distinction between self and world. She shows that plants, animals, and other creatures were once understood to exist by virtue of contemplation ...
Canadiana
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The Canada gazette
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Spiritual Vegetation
This volume concerns premodern understandings of vegetal nature that encompass multiple semantics and perspectives. Scholars from the disparate fields of art history, literature, and religious studies present tantalizing studies of trees and plants in sacred and secular thought. Some discuss the concept of the Book of Nature and its implications. Others explore narratives of symbiosis between humans and vegetal material, tree-dwelling hermits, spirits metamorphosing into wood, flowers or trees that sprout from bodies or the dissolution of the self into the natural world. Complementary to these approaches are studies that suggest a collapsing of time and space in spiritually charged yet ambiguous natural motifs or topographies where forests or groves are spaces of transformative experience.
Spiritual Vegetation
This volume concerns premodern understandings of vegetal nature that encompass multiple semantics and perspectives. Scholars from the disparate fields of art history, literature, and religious studies present tantalizing studies of trees and plants in sacred and secular thought. Some discuss the concept of the Book of Nature and its implications. Others explore narratives of symbiosis between humans and vegetal material, tree-dwelling hermits, spirits metamorphosing into wood, flowers or trees that sprout from bodies or the dissolution of the self into the natural world. Complementary to these approaches are studies that suggest a collapsing of time and space in spiritually charged yet ambiguous natural motifs or topographies where forests or groves are spaces of transformative experience.
Transgressive Nature. Beyond the Frame
Nature became a significant object of attention in the early modern era. Images of plant life changed significantly in the arts and architecture of Northern Europe near the beginning of the sixteenth century. Representations of branches, vines, and other botanical material become more prominent, proliferating in every medium. As designs based on nature became a field for creative innovation, botanical material sometimes transgresses the role of marginal ornament, and natural settings appear in new contexts. Other studies tend to either disregard plant ornament or they argue that landscape became a central subject in northern art but connect its origins and impetus to sources in ancient Rome ...
