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Masquing Blackness in The Tempest
Combining early modern historiography with critical race and performance studies, Masquing Blackness offers a historically contextualized examination of the mechanics of blackness in Shakespeare’s The Tempest. The book places Shakespeare’s representations of race into conversation both with Jacobean colonialism and with the widespread calls for racially conscious reform in American theatre that gained national attention in the summer of 2020. In the period between 2021 and 2022, immediately following the Covid-19 lockdowns, there were 37 professional or academic productions of The Tempest in the United States, making it by far the most produced of Shakespeare’s plays. This volume propo...
Reading Readings
Reading Readings brings together essays by eighteen critics and textual scholars on texts that play a crucially informative role in the history of Shakespeare reception: the eighteenth-century editions. These texts tell, in extraordinary detail, the response of the age that granted Shakespeare his canonical status. They show, too, the development of a new range of critical and bibliographical practices, and display the workings of influential eighteenth-century cultural and market forces.
Nationalism and Royal Women in Early Modern England
This book encounters the figure of the royal woman in the early modern period and explores how she enables and complicates the key moment at which England was emerging as an ideology, a nation, and an empire. Queens and queens consort, historical and fictional, played crucial roles in Renaissance England’s shifting ideologies of nationalist identity. This collection considers how a series of royal women particularly embodied and complicated these many self-constructions of England and complex renditions of “the other.” The period’s influential female monarchs certainly made the queen’s political body more visibly politicized, repatriated, and racialized; these same historical royals were represented as icons of nationalism in many forms and functions. In fictional incarnations, royal women created by the English imagination symbolized and structured those same nation-building narratives. This volume studies royal women’s writings alongside such depictions of royal women, especially as such works collectively enable emergent English ideologies of nationalism and racialization.
Shakespeare’s Auditory Worlds
Inspired by the verbal exuberance and richness of all that can be heard by audiences both on and off Shakespeare’s stages, Shakespeare’s Auditory Worlds examines such special listening situations as overhearing, eavesdropping, and asides. It breaks new ground by exploring the complex relationships between sound and sight, dialogue and blocking, dialects and other languages, re-voicings, and, finally, nonverbal or metaverbal relationships inherent in noise, sounds, and music, staging interstices that have been largely overlooked in the critical literature on aurality in Shakespeare. Its contributors include David Bevington, Ralph Alan Cohen, Steve Urkowitz, and Leslie Dunn, and, in a conc...
Not Just for Children: Interdisciplinary Explorations of Play
This volume was first published by Inter-Disciplinary Press in 2016. This volume explores play from an interdisciplinary standpoint. In seeking to encourage innovative and in-depth trans-disciplinary dialogues, contributions hosted in this volume succeed in revealing research realities and avenues concerning the study of play. With input from a variety of areas, i.e. sociology, technology, creative arts, history, and philosophy, this volume is a must-have for anyone with an interest in looking into the study of play from a multi-disciplinary angle.
Performing Blackness on English Stages, 1500-1800
An unusual study of the tradition of blackface in stage performance.
The Oxford English Literary History
The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these thirteen groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This volume surveys the rich English literary tradition, 1603-1660, in the context of the eventful decades between the accession of James I and the restoration of Charles II. The first Part describes the 'social rules of writing.' Who could become a writer in the early seventeenth century? How could a literary career be pursued? How was literary work disseminated? And how did those practices change between 1603 and 1660? The second Part discusses the period's most innovative and important literary genres including satiric city comedy, country house poetry, chorography, masque, tragedy, tragicomedy, religious poetry, epic, the poetry of love and friendship, and a variety of prose.
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The Enfolded Hamlets
By displaying transcripts of both the 1604/05 Second Quarto (Q2) and the 1623 First Folio (F1) and declining to prefer either, The Enfolded Hamlets proposes one solution to the vexed question, which Hamlet? This edition prints on facing pages a transcription of each text and variants of both.
