Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Salaam Bollywood
This book traces the journey of popular Hindi cinema from 1913 to contemporary times when Bollywood has evolved as a part of India’s cultural diplomacy. Avoiding a linear, developmental narrative, the book re-examines the developments through the ruptures in the course of cinematic history. The essays in the volume critically consider transformations of the Hindi film industry from its early days to its present self-referential mode, issues of gender, dance and choreography, Bombay cinema’s negotiations with the changing cityscape and urbanisms, and concentrate on its multifarious regional, national and transnational implications in the 21st century. One of the most comprehensive volumes on Bollywood, this work presents an analytical overview of the multiple histories of popular cinema in India and will be useful to scholars and researchers interested in film and media studies, South Asian popular culture and modern India, as well as to cinephiles and general readers alike.
South Asian Filmscapes
New political realities and shared histories connect film cultures across borders In South Asia massive anticolonial movements in the twentieth century created nation-states and reset national borders, forming the basis for emerging film cultures. Following the upheaval of the partition of India and Pakistan in 1947 and the Bangladesh Liberation War of 1971, new national cinemas promoted and reinforced prevailing hierarches of identity and belonging. At the same time, industrial and independent cinemas contributed to remarkably porous and hybrid film cultures, reflecting the intertwining of South Asian histories and their reciprocal cultural influences. This cross-fertilization within South ...
South Asia in Alternative Cinema(s)
South Asia in Alternative Cinema(s) explores the significance and relevance of parallel, the new wave, the new middle cinema, avant-garde and independent cinemas from and on India, Pakistan, Bhutan, Sri Lanka, Bangladesh and other parts of South Asia. The scholarly and groundbreaking articles interrogate, in a global context, intersecting social, political and cultural issues and offer a rich discourse on the works of eminent filmmakers and their cinematic compositions. The original articles focus on the “New Wave” in Hindi, Kannada, Bengali, Malayalam, Assamese and other regional languages of India, as well as experimental/independent films from and on India, Pakistan, Bhutan, Bangladesh, Sri Lanka and other parts of South Asia, irrespective of the language in which they are made. The book also offers new insights and a fresh perspective on the contentious intellectual relation between human life and its reflection in cinemas.
