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"A richly contextualized portrait of a key Weimar figure, who deserves to be better known. Easton is a lively writer."—Martin Jay, University of California, Berkeley "Provocative and original. The Red Count should be welcomed by a growing number of cultural historians interested in reassessing the politics of European modernism and in current debates about the trajectory of German political culture and cultural politics in the decades before the rise of fascism."—Kevin Repp, Yale University "A major addition to understanding the cultural contributions Germany made to the modernist impulse, especially in the years before 1914. Kessler’s numerous activities, as delineated by the author, attest to the cosmopolitanism of many within Germany’s urban, liberal elite. The Red Count is extremely well-written. Easton’s prose is fluid, colorful, and eminently readable. " —Marion Deshmukh, George Mason University
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These fascinating, never-before-published early diaries of Count Harry Kessler—patron, museum director, publisher, cultural critic, soldier, secret agent, and diplomat—present a sweeping panorama of the arts and politics of Belle Époque Europe, a glittering world poised to be changed irrevocably by the Great War. Kessler’s immersion in the new art and literature of Paris, London, and Berlin unfolds in the first part of the diaries. This refined world gives way to vivid descriptions of the horrific fighting on the Eastern and Western fronts of World War I, the intriguing private discussions among the German political and military elite about the progress of the war, as well as Kesslerâ...
Vibrantly bringing to life the frenetic, constantly changing mood of Germany and Europe between the wars, Berlin in Lights is a fascinating collection of diaries written by German aristocrat Harry Kessler, a diplomat and publisher who moved easily among the world of art, politics, and society. Kessler's diaries encompass an extraordinary variety of people from Einstein, Josephine Baker, and Bertolt Brecht to Virginia Woolf, Jean Cocteau, and Andre Gide, to name a few. Recording firsthand the agonizing collapse and death of Weimar Germany and the arrival of the Nazis, as well as the artistic and cultural movements that flourished then, his diaries beautifully encapsulate the tumultuous years between the two world wars. Book jacket.
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This long-awaited edition brings together for the first time 366 letters, cards and telegrams exchanged between Craig and his patron the cosmopolitan Count Kessler. An important primary source, illuminated by Dr Newman's commentary, it focuses on three areas of particular importance: - 1. Craig's artistic ideas and the spread of his influence through exhibitions and books; proposals are developed for work with Otto Brahm, Eleonora Duse, Max Reinhardt, Henry van de Velde, Eduard Verkade, Leopold Jessner, Dyaghilev, Beerbohm Tree, C. B. Cochran, and others. 2. Kessler's Cranach Press Hamlet with wood-engraved illustrations by Craig; this is a landmark in the history of twentieth-century book design and printing whose genesis is now fully revealed in these letters and amplified with reproductions of eighteen trial page proofs. 3. The relationship between an artist and his patron. Exceptionally detailed indexes are an additional feature of this book
'A deep knowledge of and feeling for his subject' Sunday Times Karl Lagerfeld, Chanel's iconic Creative Director for thirty-five years, was a cultural luminary like no other. Larger than life, Lagerfeld was legendary not only for reinventing Chanel but also for his idiosyncratic personal style and captivating life, which featured a cast of the world's most famous, fabulous and fascinating people. Not least his cat, Choupette, who herself became a fashion icon. Journalist and author William Middleton spent years working in Paris for Women's Wear Daily, W, and Harper's Bazaar. During his time there, he interviewed and socialized with Lagerfeld, coming to to see a side the elusive designer kept private from the world. In this deliciously entertaining book, Middleton takes us inside the most exclusive rooms in the fashion industry, behind the catwalk, and into a world of brilliantly talented artists, stylish socialites, and famous stars-some of the most elusive and unforgettable figures of fashion's inner circle for the past four decades.
A full account of the making, during 1909-10, of Der Rosenkavalier with emphasis on its derivation from a French opérette of 1907, L'Ingenu libertin. L'Ingenu libertin was seen in Paris by Count Harry Kessler and formed the basis of the opera then to be written by Hofmannsthal and Strauss. Previous scholarship has credited the narrative and characters of Der Rosenkavalier to much older French sources known to and studied by Hofmannsthal, but this book shows clearly how every element in L'Ingenu libertin is in fact taken (and transformed) by Kessler and Hofmannsthal into the work that made fortunes for Hofmannsthal and Strauss, but left Kessler on the sidelines. Michael Reynolds casts a majo...