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This book explores womena (TM)s experiences of pilgrimage in Latin Christendom between 1300 and 1500 C.E. Later medieval authors harbored grave doubts about womena (TM)s mobility; literary images of mobile women commonly accused them of lust, pride, greed, and deceit. Yet real women commonly engaged in pilgrimage in a variety of forms, both physical and spiritual, voluntary and compulsory, and to locations nearby and distant. Acting within both practical and social constraints, such women helped to construct more positive interpretations of their desire to travel and of their experiences as pilgrims. Regardless of how their travel was interpreted, those women who succeeded in becoming pilgrims offer us a rare glimpse of ordinary women taking on extraordinary religious and social authority.
Recognising the importance of the Middle Ages as a vital point of reference in the construction of national identities, this challenging book examines the remarkable role played by the period in the grand duchy of Luxembourg. This country is representative of the close relationship between historicism and nation-building in modern Europe. Tracing the fortunes of four pivotal figures from their own lifetimes to the present, this book uncovers how they each entered collective memory and came to play a key role in a national narrative of history. The analysis includes the foundation myth of Sigefroid and Melusine, the posthumous career of Countess Ermesinde and King John of Bohemia’s transformation into a national hero. Borrowing some of its theoretical framework from the study of lieux de mémoire, this wide-ranging book crosses disciplinary boundaries and addresses not only historical writing, but also literature, the visual arts, and popular culture.
At least since the publication of Burckhardt’s seminal study, the Renaissance has commonly been understood in terms of discontinuities. Seen as a radical departure from the intellectual and cultural norms of the ‘Middle Ages’, it has often been associated with the revival of classical Antiquity and the transformation of the arts, and has been viewed primarily as an Italian phenomenon. In keeping with recent revisionist trends, however, the essays in this volume explore moments of profound intellectual, artistic, and geographical continuity which challenge preconceptions of the Renaissance. Examining themes such as Shakespearian tragedy, Michelangelo’s mythologies, Johannes Tinctoris’ view of music, the advent of printing, Burgundian book collections, and Bohemian ‘renovatio’, this volume casts a revealing new light on the Renaissance. Contributors include Klára Benešovská, Robert Black, Stephen Bowd, Matteo Burioni, Ingrid Ciulisová, Johannes Grave, Luke Houghton, Robin Kirkpatrick, Alexander Lee, Diotima Liantini, Andrew Pettegree, Rhys W. Roark, Maria Ruvoldt, Jeffrey Chipps Smith, Robin Sowerby, George Steiris, Rob C. Wegman, and Hanno Wijsman.
This volume deals with political, military, social, architectural, and literary aspects of fifteenth-century England. The essays contained in the volume range across the century from some of the leading scholars currently working in the period. With contributions by Mark Arvanigian, Kelly DeVries, Sharon Michalove, Harry Schnitker, Charlotte Bauer-Smith, Candace Gregory, Helen Maurer, Karen Bezella-Bond, E. Kay Harris, Daniel Thiery, John Leland, Peter Fleming, Virginia K. Henderson.
Daughter of a mayor of King's Lynn, wife of a burgess there and mother of fourteen children, Margery Kempe (c. 1373-post 1438) was also a religious mystic and hysteric, who dictated her 'autobiography' to a scribe at the end of her life. In this history of her life, Anthony Goodman examines "The Book", to reconstruct as much of her conventional biography as the materials allow. Including her spiritual experiences, but focusing most particularly on her day-to-day life, he builds an intriguing picture of bourgeois society in late medieval Lynn, and the wider world of late medieval towns in England and Europe more generally.
Korr. EL ; Korr. BKE
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This volume is the first ever attempt to unite and translate some of the key texts which informed Johan Huizinga's famous study of the Burgundian court, The Waning of the Middle Ages, a work which has never gone out of print. It combines these texts with sources that Huizinga did not consider, those that illuminate the wider civic world that the Burgundian court inhabited and the dynamic interaction between court and city. Through these sources, and an introduction offering new perspectives on recent historiography, the book tests whether Huizinga's controversial vision of the period still stands. Covering subjects including ceremonial events, such as the spectacles and gargantuan banquets that made the Burgundian dukes the talk of Europe, the workings of the court, and jousting, archery and rhetoric competitions, the book will appeal to students of late medieval and early modern Europe and to those with wider interests in court culture, ritual and ceremony.
This book unites and translates some of the key texts which informed Johan Huizinga's famous study of the Burgundian court in 'The Waning of the Middle Ages', a work which is taught in many history courses throughout Europe and the USA.