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Neo-Latin and Japan
When did the first Latin texts describing Japan emerge? When, how and why did some Japanese people began to actively communicate in the Latin language as early as the 1580s? How did Latin, the language of the ancient Romans and a hallmark of the West (the ‘European sign’), change through contact with a region and culture so remote from its home? This monograph addresses these and other questions while looking at European-authored travelogues, missionary reports, plays, a Vergilian epic and even haiku as well as Japanese-authored Latin prose and verse. Transcriptions of several never-before published Latin texts composed by the Japanese from the 1610s to 2024s are appended.
Transnational Encounters in Early Modern Drama, 1450–1750
In this volume you will find contributions on transnational European drama of the early modern period, featuring a range of innovative approaches. The volume, for the first time, covers dramas and theatre plays in Latin, English, French, Polish, Dutch, and Spanish. A second innovation is its combination of literary historical research and digital humanities. The topics range from court ballets to the reception of Seneca, from visual evidence of commedia dell’arte performances to the use of onomastics to trace connections between plays, and from TEI-tagging to the creation of Wikidata pages and digital networks on the role of the scheming slave in ancient and early modern Europe. Contributors include: Michał Bajer and Piotr Urbanski, Radhika Koul, Linda Simonis, Nigel Smith, Gabriela Villanueva Noriega, Barbara Fuchs, Thom Pritchard, M.A. Katritzky, Justyna Łukaszewska-Haberkowa, Ioana Galleron, Neven Jovanović, Julia Beine, James A. Parente, Jr.
Catholic Survival in the Dutch Republic
Even in adversity, Catholics exercised considerable agency in post-Reformation Utrecht. Through the political practices of repression and toleration, Utrecht’s magistrates, under constant pressure from the Reformed Church, attempted to exclude Catholics from the urban public sphere. However, by mobilizing their social status and networks, Catholic Utrechters created room to live as pious Catholics and honourable citizens, claiming more rights in the public sphere through their spatial practices and in discourses of self-representation. This book explores how Catholic priests and laypeople cooperated and managed to survive the Reformed regime by participating in a communal process of delimiting the public, continuing to rely on the medieval legacy and adapting to early modern religious diversity. Deploying their own understandings of publicness, Catholic Utrechters not only enabled their survival in the city and the Catholic revival in the Dutch Republic but also contributed to shaping a multi-religious society in the Northern Netherlands.
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Japan on the Jesuit Stage
Japan on the Jesuit Stage offers a comprehensive overview of the representations of Japan in early modern European Neo-Latin school theater. The chapters in the volume catalog and analyze representative plays which were produced in the hundreds all over Europe, from the Iberian Peninsula to present-day Croatia and Poland. Taking full account of existing scholarship, but also introducing a large amount of previously unknown primary material, the contributions by European and Japanese researchers significantly expand the horizon of investigation on early modern European theatrical reception of East Asian elements and will be of particular interest to students of global history, Neo-Latin, and theater studies.
