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The first book to offer a cutting-edge discussion of contemporary travel writing in German, Anxious Journeys looks both at classical tropes of travel writing and its connection to current debates. The rich contemporary literature of travel has been the focus of numerous recent publications in English that seek to understand how travel narratives, with their distinctive representations of identities, places, and cultures, respond to today's globalized, high-speed world characterized by the dual mass movements of tourism and migration. Yet a corresponding cutting-edge discussion of twenty-first-century travel writing in German has until now been missing. The fourteen essays in Anxious Journeys...
In opposition to an essentialist conceptualization, the social construct of the human body in literature can be analyzed and described by means of effective methodologies that are based on Discourse Theory, Theory of Cultural Transmission and Ecology, System Theory, and Media Theory. In this perspective, the body is perceived as a complex arrangement of substantiation, substitution, and omission depending on demands, expectations, and prohibitions of the dominant discourse network. The term Body-Dialectics stands for the attempt to decipher - and for a moment freeze - the web of such discursive arrangements that constitute the fictitious notion of the body in the framework of a specific historic environment, here in the Age of Goethe.
When we think of writers today, we often think of them as thin and poor-as starving artists. This book traces the history of this idea, and asks why hunger has been such a compelling metaphor for thinking about writing in modern times.
Although considered a relatively new genre, the mockumentary has existed nearly as long as filmmaking itself and has become one of the most common forms of film and television comedy today. In order to better understand the larger cultural truths artfully woven into their deception, these works demonstrate just how tenuous and problematic our collective understandings of our social worlds can be. In Too Bold for the Box Office: The Mockumentary from Big Screen to Small, Cynthia J. Miller has assembled essays by scholars and filmmakers who examine this unique cinematic form. Individually, each of these essays looks at a given instance of mockumentary parody and subversion, examining the ways ...
This book looks at the gender dimensions of orality in German culture and thought around 1800, bringing to new prominence orality as an important aspect of 18th century polarsation of the genders.
The US occupation of Germany after World War II was a time in which encounters between American soldiers and young German civilians were especially ubiquitous. Overall, German children and youth played a fundamental role in the US occupation, impacting both personal and political relations. Using a blend of sources ranging from German children’s diaries to official US military records, this work provides a wide-reaching examination of the youngest civilians under occupation in the postwar aftermath of the Nazi regime. It centers on the personal experiences of both German children and American military personnel during the occupation, and also examines the ways that young Germans impacted transatlantic policies, especially in the context of the emerging Cold War, including during the Berlin Airlift. This work thus considers the youngest members of the occupied German population as important historical actors during a time of major transition from war to peace, marked by encounters made in the rubble.
As Europe continues to expand and integrate through the European Union, it faces the challenge of ever increasing multilingual and multicultural contact, within and across its borders. This volume presents recent research on European language policy, language contact and multiculturalism that explores how Europe is meeting this challenge. Inspired by intersections and conflicts in language and cultural identity in Europe, the volume transcends disciplinary boundaries by enhancing sociolinguistic research with chapters on cultural identity and language in contemporary European cinema. The book considers the relationships between language and cultural identity in Europe at a time of increasing multicultural complexity, with contributions on Belgium, France, Germany, Italy, the Netherlands, Spain, Sweden and Ukraine, and the linguistic and imaginative spaces between and beyond. The volume highlights the ongoing significance of language and identity for an expanding Europe, and the ways in which situations of linguistic hybridity, interlocution and language contact continue to define Europe and its others.
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