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Ganga to Mekong
Textiles have been the binding factor in the cultural history of India and Southeast Asia from time immemorial. As the foremost currency they were carried by the traders from the banks of river Ganga to the fertile areas around the river Mekong and to the rich spice islands of Suvarnadwipa, Indonesia. Over the centuries, these textiles turned into vehicles of culture that built the foundation for an enduring multi-layered and multi-coloured relationship. The painted textiles from the Coromandel coast, the block-printed fabrics and the double-ikat patola from Gujarat enticed Southeast Asian royalty and masses alike. These trade textiles, considered ritually powerful and imbued with magical qualities played an integral role in binding India with Southeast Asia while becoming a part of the regional folklore, ceremonies and rituals. Over time they were seamlessly assimilated into the local culture. This cultural amalgam were here to stay as solid as the rocks of Borobudur and Konark and as intricately woven as the double-ikat patola which is the cultural legacy in Southeast Asia.
Nagapattinam to Suvarnadwipa
The expansion of the Cholas from their base in the Kaveri Delta saw this growing power subdue the kingdoms of southern India, as well as occupy Sri Lanka and the Maldives, by the early eleventh century. It was also during this period that the Cholas initiated links with Song China. Concurrently, the Southeast Asian polity of Sriwijaya had, through its Sumatran and Malayan ports, come to occupy a key position in East-West maritime trade, requiring engagement with both Song China to the north and the Chola kingdom to its west. The apparently friendly relations pursued were, however, to be disrupted in 1025 by Chola naval expeditions against fourteen key port cities in Southeast Asia. This volume examines the background, course and effects of these expeditions, as well as the regional context of the events. It brings to light many aspects of this key period in Asian history. Unprecedented in the degree of detail assigned to the story of the Chola expeditions, this volume is also unique in that it includes translations of the contemporary Tamil and Sanskrit inscriptions relating to Southeast Asia and of the Song dynasty Chinese texts relating to the Chola Kingdom.
The Other Side of Diplomacy
About the Book HISTORIC, ENTERTAINING AND INTRIGUING EPISODES FROM THE LIVES OF DIPLOMATIC SPOUSES, THIS IS A BOOK FOR ANYONE INTERESTED IN THE DIPLOMATIC SERVICE AS WELL AS ANYONE WHO LIKES GOOD STORIES. Beyond the glamour of the Indian Foreign Service and the glitz of foreign postings lies an unseen world, that of the spouses of diplomats. These women and a few men traverse continents and cultures every few years, raising families in unfamiliar lands, and always upholding the unwritten but unbreakable code—no diplomatic gaffes! In this anthology curated by Jayshree Misra Tripathi, the spouses and, in a few cases, other family members, have their say. They recount historic, entertaining a...
Tragic Orphans
In 1938, noting that the bulk of the Indian population formed a “landless proletariat” and despairing of the ability of the factionalized Indian community to unite in pursuit of common objectives, activist K.A. Neelakanda Ayer forecast that the fate of Indians in Malaya would be to become “Tragic orphans – of whom India has forgotten and Malaya looks down upon with contempt”. Ayer’s words continue to resonate; as a minority group in a nation dominated politically by colonially derived narratives of “race” and ethnicity and riven by the imperatives of religion, the general trajectory of the economically and politically impotent Indian community has been one of increasing irrel...
AKASHVANI
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
Indian Cultural Diplomacy
The Book is a window on Indian cultural diplomacy, which is set against the backdrop of its ethos of 'Vasudhaiva Kutumbakam' (The World is a Family). It is pivoted to the 'Idea of India' that gets manifested through acceptance of diversity and celebration of pluralism. The Book in 15 chapters under 8 sections provides a comprehensive picture on the concept of cultural diplomacy; its relationship with public diplomacy and soft power; its place in the diplomatic architecture and its growing centrality. Unlike soft power, cultural diplomacy is not in the paradigm of power. The Book also provides an in depth study on the origins and evolution of Indian cultural diplomacy over the years. It revie...
Archipel
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Ganga to Mekong
Textiles have been the binding factor in the cultural history of India and Southeast Asia from times immemorial. As the foremost currency they were carried by the traders from the banks of river Ganga to the fertile areas around the river Mekong and to the rich spice islands of Suvarnadwipa, Indonesia. Over the centuries, these textiles turned into vehicles of culture that built the foundation for an enduring multi-layered and multi-coloured relationship. The painted textiles from the Coromandel coast, the block-printed fabrics and the doubleikat patola from Gujarat enticed Southeast Asian royalty and masses alike. These trade textiles, considered ritually powerful and imbued with magical qualities played an integral role in binding India with Southeast Asia while becoming a part of the regional folklore, ceremonies and rituals. Over time they were seamlessly assimilated into the local culture. This cultural amalgam was here to stay as solid as the rocks of Borobudur and Konark and as intricately woven as the double-ikat patola which is the cultural legacy of India in Southeast Asia.
India Who's who
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