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The Hindi film song has held millions spellbound for nearly eight decades. In this unputdownable ‘labour of love’, India’s leading film song historian, Raju Bharatan, delves deep into his treasure trove to tell us how singing is all about romancing, how composing is all about feelings, how the twain, stardom and songdom, do meet to make the vintage film number a part of the nation’s psyche. He reconstructs song happenings over the last sixty years or so to condense the emotion and passion going into legendary star hook-ups, showing us how with the pairing comes the vibe, with the vibe comes the tune, and with the tune unfolds cinema that is a ‘Madhuballad’ all the way. This volum...
The definitive saga, at once riveting and revelatory – studded with rare nuggets of information and fascinating anecdotes – that sparkingly brings out the life and times of an internationally acclaimed incredibly versatile singer. Asha Bhosle – a Guinness world record holder plus recipient of the Padma Vibhushan and the Dadasaheb Phalke Award – has held one and all spellbound for six decades now. Her voice, both fluid and flexible, has infused neo life into a variety of genres – from the melancholy melody to the rollicking rock-’n’-roll; from the soulful creation to the vibrant disco; from the romantic rhapsody to the rambunctious folk song; from the dainty ghazal to the boiste...
Peppered Minds is about the journey of a young geologist, Neeraj, beginning his professional life. His imaginative mind conjures up a thesis presented on a brainstorming session for the welfare of his countrymen and the nation. The book provides an interesting insight to explain blatant problems that contribute to the lack of innovation, misconduct and all kinds of frenzy we see around today. The writing of the book is a lighthearted account of the protagonist, Neeraj, brought up in a conservative middle-class god-fearing family, who travels from Jaipur to Hyderabad to start his professional life as a geologist. The story depicts his bitter and heartening experiences, be it meeting an astrol...
The book is an exposition of life behind the glamour. It speaks on the pains the artist undergoes to create his image and more to retain the intellection. The stories are based on personal interactions that could never become public. Even if some plots trickled out it failed to arouse concern and empathy. These anecdotes underline various phases of Hindi cinema and despite all its technical superiority, it could not shrug off the system that demeans artists once they are not patronized or engaged. It has references to individuals, film families and some unsaid instances that built the concept of the book. A major portion of the book is devoted to the second rung of artists or character artis...
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Foreword by GULZAR With a study of his Bengali repertoire by Antara Nanda Mondal and Sounak Gupta Hemant Kumar, what a wonderful singer, what a gifted composer! Decades after this amazing man left us, we sing his songs and enjoy his tunes, not just in Mumbai and Kolkata, but everywhere music buffs live. The Unforgettable Music of Hemant Kumar looks in detail at specific areas of Hemant Kumar's work. Chapters include the journey of his life, from Varanasi to Calcutta to Bombay and back to Calcutta. It lists his discographies as a singer-both in Hindi and Bengali films-as also out of cinema in many languages. It identifies his songs as a composer, again in his work in many languages. The essay...
The seven letters in Naushad’s name are like the seven notes of Hindustani classical music. After just a few years in films, Naushad (1919-2006) went to rule the Hindi cinema music world for around two decades, beginning with the landmark Rattan (1944). His oeuvre (from 1940 to 2005) consists of an unmatched list of jubilees, many of which are musical milestones such as Andaz (1949), Baiju Bawra (1952), Mother India (1957) and Mughal-e-Azam (1960). No individual stays supreme without putting in tremendous efforts to reach the pinnacle and to stay there as long as possible, as our maestro did. And no composer probably moved so cleverly, behind the scenes, than did Naushad to sustain his hol...