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This book displays and dissects the career and design motives of graphic designer Joost Grootens. In a systematic fashion it charts the first 100 books designed by Grootens over the past ten years. In the first chapter, '10 years', Grootens uses timelines, lists and graphs to map the course of his career as a designer, the people he worked with and the places where the work took place. In '100 books', the designer dissects his book designs. He details the grids, formats, paper stocks, colours and typefaces, and charts the books' structures and compositions. '18,788 pages' shows at actual size a selection of spreads from books designed by Grootens, including the internationally acclaimed atlases. In the text 'I swear I use no art at all' Joost Grootens gives a personal account of making books and the ideas behind his designs.
CItyMaker presents a method and a set of tools to generate alternative solutions for an urban context. The method proposes the use of a combined set of design patterns encoding typical design moves used by urban designers. The combination of patterns generates different layouts which can be adjusted by manipulating several parameters in relation to updated urban indicators. The patterns were developed from observation of typical urban design procedures, first encoded as discursive grammars and later translated into parametric design patterns. The CItyMaker method and tools allows the designer to compose a design solution from a set of programmatic premises and fine-tune it by pulling parameters whilst checking the changes in urban indicators. These tools improve the designer's awareness of the consequences of their design moves.
The themes of this "Arcjitecture Annual" focuses on how the materials, design, construction and running of a building can affect the environment.
Published for 010 Publisher's twentieth anniversary in 2003, this volume celebrates the publishing vision of Hans Oldewarris and Peter de Winter, 010's founders. Besides hundreds of monographs by and about Dutch architects, 010 has published books on architecture, interior design, photography, industrial design, graphic design and the visual arts. Exhaustively annotated and illustrated, 20 Years 010 provides not only the technical details of each book (size, format, binding) but also the authors, editors, photographers, graphic designers and printers. A brief description of the contents rounds off each entry. Comprehensive indexes give insight into who contributed to which book and in what way. In their introductory essay, Ed Taverne and Cor Wagenaar give a picture of the practice of architectural publishing in the Netherlands during those years.
Winner of the Frederick Douglass Book Prize Winner of the American Book Award Winner of the Merle Curti Social History Award Winner of the James A. Rawley Prize Winner of the Zora Neale Hurston/Richard Wright Legacy Award (Nonfiction) Finalist for the John Hope Franklin Prize Finalist for the Harriet Tubman Prize Finalist for the Cundill History Prize A New York Times Editor’s Choice selection “If many Americans imagine slavery essentially as a system in which black men toiled on cotton plantations, Miles upends that stereotype several times over.” —New York Times Book Review “[Miles] has compiled documentation that does for Detroit what the Works Progress Administration and the Fe...
Welke invloed hebben globalisering en de nieuwe technologie op de steden en hoe verloopt de confrontatie tussen de architectuur- en stedebouwkundige praktijk met de kritische theorievorming? Uitgebreide bespreking van het boek in Stedebouw en Ruimtelijke Ordening, 2001, nr. 5.
In Knowledge-based Design it is argued that urban and regional design can and should be considered a potential practical science. 'Should be' as the built environment imposes long time conditions on societal processes, and 'can be' provided a user-oriented design approach is chosen. This conclusion is reached after exploring the position of urban design in the field of science, concentrating on practical sciences. Focusing not on the uniqueness of designs but on what they have in common by dissociating the object of design from the specific context, design becomes a research method, producing organizational principles and theoretical models.
Chinese cities have been expanding since the early 1980s under trends of rapid modernization, urbanization and globalization. Since then they have changed dramatically, and have in the process lost many of their traditional environments and spatial characteristics. Urban planners and designers have been and are facing unprecedented challenges in China. They not only have to learn to understand the constantly emerging new urban mechanisms, and seek balance among stakeholders, but they also need to cope with the political pressures and the changing context under often extreme time pressure. In such circumstances, future- and design-oriented analysis based on a designerly way of thinking is use...