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Magic and the Occult in Contemporary Poetry
Magic and the Occult in Contemporary Poetry investigates the relationship between poetry and magic in the context of contemporary poetics. It traces the history of ‘magical poetics’ and the poetry of the occult to the present, in order to ask, in the context of contemporary US poetry, what potential there is for a magical poetics, or a poetics of the occult, today. The book argues that a magical or occult poetics offers a vital counterpoint to more mainstream poetic trends. It defines a magical or occult poetics in terms of the willingness of a poet to entertain a magical worldview for the purposes of writing poetry or the willingness to experiment with creative techniques and processes derived from magical or occult practices. It explores the allure of the poet as magician, the conceptualization of language as inherently magical, and the implications of adopting a magical perspective in poetic creation. It also delves into the specific creative techniques and processes central to magical and occult poetics, including the use of spellcraft, trance, divination, and ritual in the composition of poetry.
Hermes Explains
Few fields of academic research are surrounded by so many misunderstandings and misconceptions as the study of Western esotericism. For twenty years now, the Centre for History of Hermetic Philosophy and Related Currents (University of Amsterdam) has been at the forefront of international scholarship in this domain. This anniversary volume seeks to make the modern study of Western esotericism known beyond specialist circles, while addressing a range of misconceptions, biases, and prejudices that still tend to surround it. Thirty major scholars in the field respond to questions about a wide range of unfamiliar ideas, traditions, practices, problems, and personalities that are central to this area of research. By challenging many taken-for-granted assumptions about religion, science, philosophy, and the arts, this volume demonstrates why the academic study of esotericism leads us to reconsider much that we thought we knew about the story of Western culture.
Special Effects and German Silent Film
In recent decades, special effects have become a major new area of research in cinema studies. For the most part, they have been examined as spectacles or practical tools. In contrast, Special Effects and German Silent Film, foregrounds their function as an expressive device and their pivotal role in cinema’s emergence as a full-fledged art. Special effects not only shaped the look of iconic films like Nosferatu (1922) or Metropolis (1927), but they are central to a comprehensive understanding of German silent film culture writ large. This book examines special effects as the embodiment of a “techno-romantic” paradigm that seeks to harness technology – the epitome of modern materialism – as a means for accessing a spiritual realm. Employed to visualize ideas and emotions in a medium-specific way, special effects thus paved the way for film art.
Art, Music, and Mysticism at the Fin de Siècle
This edited volume explores the dialogue between art and music with that of mystical currents at the turn of the twentieth century. The volume draws on the most current research from both art historians and musicologists to present an interdisciplinary approach to the study of mysticism’s historical importance. The chapters in this edited volume gauge the scope of different interpretations of mysticism and illuminate how an exchange between the sister arts unveil an underlying stream of metaphysical, supernatural, and spiritual ideas over the course of the century. Case studies include Charles Tournemire, Joseph Péladan, Erik Satie, Hilma af Klint, Jean Sibelius, František Kupka, and Wassily Kandinsky. The contributors’ unique theoretical perspectives and disciplinary methodologies offer expert insight on both the rewards and inevitable aesthetic complications that arise when one artform meets another. The book will be of interest to scholars working in art history, musicology, visual culture, and mysticism.
Open Secrets
Open Secrets sheds new light on the fascinating popular fiction produced by key writers within Britain's occult revival, including Edward Bulwer Lytton, Emma Hardinge Britten, Marie Corelli, Mabel Collins, Arthur Machen, Charles Fort, Aleister Crowley, and Dion Fortune. In their hands, genres aimed at mass readerships- the Bildungsroman, romance, tabloid tit-bit, and detective tale- became potent tools through which to imagine and test unorthodox ideas about the unseen world. Their remarkable literary experiments aligned the rhythms of popular genre fiction with those of spiritual seekership, insisting that occultism could and should be for the mass reading public.
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Science Reporter
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