Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Henry Nichols Blake Papers
Henry N. Blake was a Montana Territorial and State Supreme Court Justice, and later Chief Justice. This collection (1867-1933) consists of incoming correspondence; certificate of appointment and election to the Supreme Court; a speech; reminiscence of his experiences as editor of the Montana Post, of Virginia City, Montana Territory; clippings; and memorabilia. [OVERSIZE MATERIAL: Drawer B1].
Henry Nichols Blake
None
A Decent, Orderly Lynching
The deadliest campaign of vigilante justice in American history erupted in the Rocky Mountains during the Civil War when a private army hanged twenty-one troublemakers. Hailed as great heroes at the time, the Montana vigilantes are still revered as founding fathers. Combing through original sources, including eye-witness accounts never before published, Frederick Allen concludes that the vigilantes were justified in their early actions, as they fought violent crime in a remote corner beyond the reach of government. But Allen has uncovered evidence that the vigilantes refused to disband after territorial courts were in place. Remaining active for six years, they lynched more than fifty men without trials. Reliance on mob rule in Montana became so ingrained that in 1883, a Helena newspaper editor advocated a return to “decent, orderly lynching” as a legitimate tool of social control. Allen’s sharply drawn characters, illustrated by dozens of photographs, are woven into a masterfully written narrative that will change textbook accounts of Montana’s early days—and challenge our thinking on the essence of justice.
Mobility and Identity in US Genre Painting
This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in US genre paintings during the second half of the long nineteenth century (c. 1860–1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824–1906), Enoch Wood Perry, Jr. (1831–1915), Thomas Hovenden (1840–95), and John Sloan (1871–1951). It also complicates art history’s canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by, instead, privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography.
