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Dalit Representation in Popular Hindi Cinema
This book explores the dynamics of caste in Bollywood and popular Hindi cinema through an examination of the representation of Dalits since the 1930s. Drawing on critical textual analysis and historical analyses of a number of key films, the author argues that popular Hindi cinema corroborates in the construction, naturalisation, and dissemination of Dalit stereotypes in line with the dominant culture, on the one hand, and ignores the Dalit history of struggle against caste discrimination, on the other hand. The book maps the evolution of Dalit representation from the 1930s to the 2000s. In doing so, it addresses the continuity and shifts in their portrayals and explores the linkages between the cinematic representation of Dalits and real- world power structures. This book will be of interest to scholars and students working in film studies, film history, cultural politics, sociology, and cultural studies.
YES SIR I KILLED MY DAD
Yes, sir, I killed my Dad! Is a father and son story and how a son loses his father to a spree of gruesome murders that shook Mumbai over a period of two months? This back to back murder spree by a serial killer called Vijay Palande has been chronicled in this book. This is the story of the only survivor of that killing spree, who lives to tell the tale of the brutal murder of his own father. The elations and trauma that he went through and how the entire gory episode unfolded in-front of his very eye, as he was numbed by drugs and alcohol. It’s a tale of deceit and deception, of how greed consumes man to do the most heinous things to other men. How young people can go to any length to full fill their dreams. The story is full of twists and turns. It is also story that highlights the alertness and efficacy of the Mumbai Police and how they managed to solve a complex case as the Tikku Murder.
TRYST WITH FILMS
Tryst with Films is about how a rank outsider ventures into the film industry without any knowledge of filmmaking and how he becomes a film producer, writer and then a director too! It depicts how he becomes known in the film line, meets the cream of the industry, works with the topmost actors, befriends them and then how ups and downs affect him.
Introduction to Politics
The only introductory textbook to bring together theory, comparative politics, and international relations, to provide the most comprehensive and global introduction to politics available.
JUUHHHUUUU
Everybody, whether it’s a human, animal, or any other living being, wants to love and to be loved. One can’t deny that love is the basic emotion for keeping us alive and moving in our lives. In the modern digital age, True Love seems to be losing its essence. But, still, those are lucky who find it in their life. “JUUHHHUUUU” brings stories of such fortunate people who, despite all the odds in life, despite all the intricacies and complications of emotions, finally succeed in recognizing the truth of love.
From Dubai to Karachi
‘Who is bigger than the King?’ Dawood Ibrahim went undercover after the serial blasts of 12 March 1993 in Mumbai. Nobody knew how he had managed to escape from India while his D Company had proven links to the blasts. Yakub Memon was subsequently executed, resulting in the bloody split of the Mumbai Mafia. What happened to Dawood Ibrahim then? Where is he now? As these questions began to surround, S. Hussain Zaidi’s riveting investigation led to Karachi, where Dawood is now the Kingmaker. Fiercely protected and valiantly denied by the Pakistani government, he has come to become the protector of the country’s dwindling economy and tumultuous polity. Yet, Dawood Ibrahim remains untouched by either of the governments across the Line of Control. From the lanes of Dongri to becoming world’s most wanted fugitive and a powerbroker for the Pakistani government, Dawood has come a long way. Thrilling and jaw dropping, From Dubai to Karachi is a much-awaited sequel to Black Friday, uncovering his last thirty years as S. Hussain Zaidi pens a definitive end to the Dawood saga.
Black Margins
Along with Manto s open letter to Nehru that reveals his state of mind after the Partition, this collection captures the best of Manto s literary powers. Part of the Pakistan Writers Series, which presents English translations of Urdu fiction from Pakistan, Black Margins encompasses the range of Manto s thematic and formalistic concerns.
For Freedom's Sake
None
Fixed!
How illegal cash is destroying the fabric of cricket Who killed Hansie Cronje and Bob Woolmer? Have players from the national squad been involved in match-fixing? Is suspending IPL teams punishment enough for erring franchise owners? Should betting be made legal in India as advised by the Lodha Committee? From S. Sreesanth to Chris Cairns, Lalit Modi to N. Srinivasan, Hamid Cassim to Tinku Mandi, Shantanu Guha Ray examines the allegations of corruption against players, cricket administrators and bookies alike. He interviews the myriad people who linger in the shadows of players' dressing rooms - the middle men, agents, 'friends' of IPL franchise owners - placing bets on games and enticing cricketers to reveal inside information for money, sex or, worse, fear for their lives. Also under the spotlight are the roles of the police and the government, who have, at best, made patchy efforts to stem the rot. Fixed!: Cash and Corruption in Cricket is an incisive, unflinching look at the underbelly of what once used to be a gentleman's game.
Raavan
WITHOUT THE DARKNESS, LIGHT HAS NO PURPOSE. WITHOUT THE VILLAIN, WHAT WOULD THE GODS DO? INDIA, 3400 BCE. A land in tumult, poverty and chaos. Most people suffer quietly. A few rebel. Some fight for a better world. Some for themselves. Some don?t give a damn. Raavan. Fathered by one of the most illustrious sages of the time. Blessed by the Gods with talents beyond all. Cursed by fate to be tested to the extremes. A formidable teenage pirate, he is filled with equal parts courage, cruelty and fearsome resolve. A resolve to be a giant among men, to conquer, plunder, and seize the greatness that he thinks is his right. A man of contrasts, of brutal violence and scholarly knowledge. A man who will love without reward and kill without remorse. This exhilarating third book of the Ram Chandra series sheds light on Raavan, the king of Lanka. And the light shines on darkness of the darkest kind. Is he the greatest villain in history or just a man in a dark place, all the time? Read the epic tale of one of the most complex, violent, passionate and accomplished men of all time.
