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Stanley Kubrick's 'A Clockwork Orange' brings together critically informed essays about one of the most powerful, important and controversial films ever made. Following an introduction that provides an overview of the film and its production history, a suite of essays examine the literary origins of the work, the nature of cinematic violence, questions of gender and the film's treatment of sexuality, and the difficulties of adapting an invented language ('nadsat') for the screen. This volume also includes two contemporary and conflicting reviews by Roger Hughes and Pauline Kael, a detailed glossary of 'nadsat' and stills from the film.
Almost sixty years ago, Gore Vidal burst onto the literary landscape with his World War II novel Williwaw. He never looked back. To date he has published twenty-nine novels, one short story collection, six theatrical plays, and numerous books of nonfiction. His novel The City and the Pillar was a groundbreaking work in the history of homosexual literature. In Myra Breckinridge Vidal created a ribald parody of sexual morality and identity. In 1967 Vidal published Washington, D.C. It would be the first of seven novels that have come to be known as the American Chronicles, a sprawling history of the empire filled with a cast of the most significant social, literary, and political figures of the...
Largely shut out of American theaters since the 1920s, foreign films such as Open City, Bicycle Thief, Rashomon, The Seventh Seal, Breathless, La Dolce Vita and L’Avventura played after World War II in a growing number of art houses around the country and created a small but influential art film market devoted to the acquisition, distribution, and exhibition of foreign-language and English-language films produced abroad. Nurtured by successive waves of imports from Italy, Great Britain, France, Sweden, Japan, and the Soviet Bloc, the renaissance was kick-started by independent distributors working out of New York; by the 1960s, however, the market had been subsumed by Hollywood. From Rober...
In a passionate and witty behind-the-scenes expose, the author of All About "All About Eve" takes on the classic 1959 Douglas Sirk film starring Lana Turner Few films inspire the devotion of Imitation of Life, one of the most popular films of the '50s--a split personality drama that's both an irresistible women's picture and a dark commentary on ambition, motherhood, racial identity, and hope lost and found. Born to be Hurt is the first in-depth account of director Sirk's masterpiece. Lana Turner, on the brink of personal and professional ruin starred as Lora Meredith. African-American actress Juanita Moore played her servant and dearest friend, and Sandra Dee and Susan Kohner their respective daughters, caught up in the heartbreak of the black-passing-for-white daughter in the 1950s. Both Moore and Kohner were Oscar-nominated as Best Supporting Actress. Sam Staggs combines vast research, extensive interviews with surviving cast members, and superb storytelling into a masterpiece of film writing. Entertaining, saucy, and incisive, this is irresistible reading for every film fan.
Examining such early '60s solo works as The Bellboy, The Nutty Professor, and The Patsy, Krutnik explores the ways in which Lewis both dismantled the conventions of film comedy and manipulated the codes of his public identity. Charting the decline of Lewis's film career and his simultaneous rise to fame as the emotional powerhouse of the Muscular Dystrophy Association telethon, the author also traces Lewis's attempt to create a serious, adult image to replace that of the aging 'kid'"--Jacket.
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