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"Shen Gua (1031–1095) is a household name in China, known as a distinguished renaissance man and the author of Brush Talks from Dream Brook, an old text whose remarkable “scientific” discoveries make it appear curiously ahead of its time. In this first book-length study of Shen in English, Ya Zuo reveals the connection between Shen’s life as an active statesman and his ideas, specifically the empirical stance manifested through his wide-ranging inquiries. She places Shen on the broad horizon of premodern Chinese thought, and presents his empiricism within an extensive narrative of Chinese epistemology. Relying on Shen as a searchlight, Zuo focuses in on how an individual thinker summoned conditions and concepts from the vast Chinese intellectual tradition to build a singular way of knowing. Moreover, her study of Shen provides insights into the complex dynamics in play at the dawn of the age of Neo-Confucianism and compels readers to achieve a deeper appreciation of the diversity in Chinese thinking."
The 2016 International Workshop on Material Science and Environmental Engineering (IWMSEE2016) was held in Wuhan, Hubei, China from January 22nd to January 24th, 2016. Out of the 214 submissions from various parts of the world, only 85 papers were chosen by the Technical Program Committee.IWMSEE2016 aims to bring together researchers, engineers and students from the areas of Material Science and Environmental Engineering to share and discuss the output of their research and the progress made, in the areas of Material Science and Engineering, Environmental Protection and Sustainable Development, Renewable Energy and Building Energy Saving, Environmental Science and Engineering, Modeling, Simulation and Control System and Safety Management.The conference program is extremely rich and profound and features high-impact presentations of selected papers and additional ground-breaking contributions. All the selected papers demonstrate elements of originality, significance and clarity for the purpose of this conference.
"The Proceedings of the 2015 International Conference on Food Hygiene, Agriculture and Animal Science provides an all-encompassing review of each contributor's study in topics such as food hygiene, agriculture, animal science, animal histology and embryology, and livestock production systems. This book is not only a compilation and analysis of the existing theories and findings; it also places a strong emphasis on new investigations and experiments. Researchers, engineers, academics and industry professionals in the fields of agricultural science, food hygiene and animal science will find this book a valuable read and useful reference."--Provided by publisher.
Huang's book analyzes the major Neo-Confucian philosophers from the eleventh to the sixteenth centuries. Focusing on metaphysical, epistemological, and ethical philosophical issues, this study presents the historical development of the Neo-Confucian school, an outgrowth of ancient Confucianism, and characterizes its thought, background, and influence. Key concepts—for example ^Utai-ji (supreme ultimate), ^Uxin (mind), and ^Uren (humanity)—as interpreted by each thinker are discussed in detail. Also examined are the two major schools that developed during this period, Cheng-Zhu, School of Principle, and Lu-Wang, School of Mind. These schools, despite different philosophical orientations, ...
In this history of China for the 900-year span of the late imperial period, Mote highlights the personal characteristics of the rulers and dynasties and probes the cultural theme of Chinese adaptations to recurrent alien rule. Generational events, personalities, and the spirit of the age combine to yield a comprehensive history of the civilization.
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Emphasizing reference works published since 1964, these volumes cover books, periodicals, and inclusions (i.e., chapters in edited volumes) on the 1911 Revolution, the Republic of China (1949--), post-1911 Taiwan, post-1911 Hong Kong and Macao, and post-1911 overseas Chinese.
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During the Song dynasty (960-1278), some of China's elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, painting titles, contemporary inscriptions and the historical context, Murck shows that certain paintings expressed strong political opinions - some transparent, others deliberately concealed.