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Alfred Jarry
This long-awaited biography of Alfred Jarry reconstructs a life both "ubuesque" and pataphysical. When Alfred Jarry died in 1907 at the age of thirty-four, he was a legendary figure in Paris—but this had more to do with his bohemian lifestyle and scandalous behavior than his literary achievements. A century later, Jarry is firmly established as one of the leading figures of the artistic avant-garde. Even so, most people today tend to think of Alfred Jarry only as the author of the play Ubu Roi, and of his life as a string of outlandish “ubuesque” anecdotes, often recounted with wild inaccuracy. In this first full-length critical biography of Jarry in English, Alastair Brotchie reconstr...
The Routledge Handbook of International Resilience
Resilience is increasingly discussed as a key concept across many fields of international policymaking from sustainable development and climate change, insecurity, conflict and terrorism to urban and rural planning, international aid provision and the prevention of and responses to natural and man-made disasters. Edited by leading academic authorities from a number of disciplines, this is the first handbook to deal with resilience as a new conceptual approach to understanding and addressing a range of interdependent global challenges. The Handbook is divided into nine sections: Introduction: contested paradigms of resilience; the challenges of resilience; governing uncertainty; resilience an...
Jean Rhys's Modernist Bearings and Experimental Aesthetics
Addressing Jean Rhys's composition and positioning of her fiction, this book invites and challenges us to read the tacit, silent and explicit textual bearings she offers and reveals new insights about the formation, scope and complexity of Rhys's experimental aesthetics. Tracing the distinctive and shifting evolution of Rhys's experimental aesthetics over her career, Sue Thomas explores Rhys's practices of composition in her fiction and drafts, as well as her self-reflective comment on her writing. The author examines patterns of interrelation, intertextuality, intermediality and allusion, both diachronic and synchronic, as well as the cultural histories entwined within them. Through close analysis of these, this book reveals new experimental, thematic, generic and political reaches of Rhys's fiction and sharpens our insight into her complex writerly affiliations and lineages.
The Routledge Handbook of Place
The handbook presents a compendium of the diverse and growing approaches to place from leading authors as well as less widely known scholars, providing a comprehensive yet cutting-edge overview of theories, concepts and creative engagements with place that resonate with contemporary concerns and debates. The volume moves away from purely western-based conceptions and discussions about place to include perspectives from across the world. It includes an introductory chapter, which outlines key definitions, draws out influential historical and contemporary approaches to the theorisation of place and sketches out the structure of the book, explaining the logic of the seven clearly themed section...
The Change-house
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Malpertuis
ne of the most famous gothic/uncanny novels of 20th century French writing, Ray's work has been compared to the best of Lovecraft and Meyrink and has never been out of print since its first publication in 1943. The author was a man surrounded by as much mystery as the bizarre old mansion of Malpertuis where the insane and horrific events of this novel ineluctably unfold. Fellow writer, Thomas Owen, said of him: Jean Ray was a Gothic personality. He had about him a touch of the damned priest or the cathedral gargoyle.'
Eggplant Dreaming
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London Magazine
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