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All the Queen’s Jewels, 1445–1548
From Margaret of Anjou to Katherine Parr, All the Queen’s Jewels examines the jewellery collections of the ten queen consorts of England between 1445–1548 and investigates the collections of jewels a queen had access to, as well as the varying contexts in which queens used and wore jewels. The jewellery worn by queens reflected both their gender and their status as the first lady of the realm. Jewels were more than decorative adornments; they were an explicit display of wealth, majesty and authority. They were often given to queens by those who wished to seek her favour or influence and were also associated with key moments in their lifecycle. These included courtship and marriage, succe...
Telltale Women
Telltale Women fundamentally reimagines the relationship between the history play and its source material as an intertextual one, presenting evidence for a new narrative about how—and why—these genres disparately chronicle the histories of royal women. Allison Machlis Meyer challenges established perceptions of source study, historiography, and the staging of gender politics in well-known drama by arguing that chronicles and political histories frequently value women’s political interventions and use narrative techniques to invest their voices with authority. Dramatists who used these sources for their history plays thus encountered a historical record that offered surprisingly ample p...
Money and Magic in Early Modern Drama
Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging – to great controversy – as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivati...
The Last Medieval Queens
The last medieval queens of England were Margaret of Anjou, Elizabeth Woodville, Anne Neville, and Elizabeth of York - four very different women whose lives and queenship were dominated by the Wars of the Roses. This book is not a traditional biography but a thematic study of the ideology and practice of queenship. It examines the motivations behind the choice of the first English-born queens, the multi-faceted rituals of coronation, childbirth, and funeral, the divided loyalties between family and king, and the significance of a position at the heart of the English power structure that could only be filled by a woman. It sheds new light on the queens' struggles to defend their children's rights to the throne, and argues that ideologically and politically a queen was integral to the proper exercise of mature kingship in this period.
Women and Gender in Medieval Europe
From women's medicine and the writings of Christine de Pizan to the lives of market and tradeswomen and the idealization of virginity, gender and social status dictated all aspects of women's lives during the middle ages. A cross-disciplinary resource, Women and Gender in Medieval Europe examines the daily reality of medieval women from all walks of life in Europe between 450 CE and 1500 CE, i.e., from the fall of the Roman Empire to the discovery of the Americas. Moving beyond biographies of famous noble women of the middles ages, the scope of this important reference work is vast and provides a comprehensive understanding of medieval women's lives and experiences. Masculinity in the middle...
Queens Matter in Early Modern Studies
The essays in this book traverse two centuries of queens and their afterlives—historical, mythological, and literary. They speak of the significant and subtle ways that queens leave their mark on the culture they inhabit, focusing on gender, marriage, national identity, diplomacy, and representations of queens in literature. Elizabeth I looms large in this volume, but the interrogation of queenship extends from Elizabeth's historical counterparts, such as Anne Boleyn and Catherine de Medici, to her fictional echoes in the pages of John Lyly, Edmund Spenser, William Shakespeare, Mary Wroth, John Milton, and Margaret Cavendish. Celebrating and building on the renowned scholarship of Carole Levin, Queens Matter in Early Modern Studies exemplifies a range of innovative approaches to examining women and power in the early modern period.
Cecily Duchess of York
This is the first scholarly biography of Cecily Neville, duchess of York, the mother of Edward IV and Richard III. She was said to have ruled Edward IV 'as she pleased' and Richard III made his bid for the throne from her home. Yet Cecily has been a shadowy figure in modern histories, noted primarily for her ostentatious piety, her expensive dresses, and the rumours of her adultery. Here J. L. Laynesmith draws on a wealth of rarely considered sources to construct a fresh and revealing portrait of a remarkable woman. Cecily was the only major protagonist to live right through the Wars of the Roses. This book sheds new light on that bloody conflict in which Cecily proved herself an exceptional...
Women in England in the Middle Ages
Looks at various sorts and conditions of women from c500 to c1500 AD, focusing on common experiences over their life-cycle, and the contrasts derived from their position in the social hierarchy. This book shows how, in bringing up their children and balancing family and work, medieval women faced many of the problems of their modern counterparts.
The Good King
René of Anjou is best known to English language readers as the father of Margaret, queen of Henry VI. René's failure to make good his claim to the kingdom of Naples or to give his daughter a decent dowry condemn him as a loser. Yet he is still remembered in his lands of Anjou and Provence as "good king René." This book discusses his career and reputation with his contemporaries and posterity in the context of his family fortunes, patronage of the arts and the crises that beset Europe: conflicts within the Catholic Church, the Empire, Italy and the Hundred Years War.
Routledge Revivals: Women and Gender in Medieval Europe (2006)
First published in 2006, Women and Gender in Medieval Europe examines the daily reality of medieval women from all walks of life in Europe between 450 CE and 1500 CE. This reference work provides a comprehensive understanding of many aspects of medieval women and gender, such as art, economics, law, literature, sexuality, politics, philosophy and religion, as well as the daily lives of ordinary women. Masculinity in the middle ages is also addressed to provide important context for understanding women's roles. Additional up-to-date bibliographies have been included for the 2016 reprint. Written by renowned international scholars and easily accessible in an A-to-Z format, students, researchers, and scholars will find this outstanding reference work to be a valuable resource on women in Medieval Europe.
