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A leading protagonist of the "Pictures Generation," Jack Goldstein (1945-2003) has long been prized by his colleagues and a specialist audience around the world for his heroic independence of spirit, but his actual work has typically remained inaccessible and unidentifiable to the wider public until now. His oeuvre is in fact characterized by its diversity, encompassing as it does performances, films, albums, paintings, aphorisms, the critique of text and image production by direct appropriation, in the vein of his colleagues Richard Prince and Sherrie Levine. "Media is sensational" was a famous aphorism of Goldstein's-meaning that "technology does everything for us so that we no longer have to function in terms of experience. We function in terms of aesthetics." This first thorough catalogue on Goldstein at last does justice to his work and its influence. It contains a wide selection of illustrations, an interview with Goldstein from 1985 by Chris Dercon and essays by Klaus Gorner, Chrissie Iles and Shepherd Steiner.
"The group of artists known as the "Pictures Generation" are usually thought to have rebelled against abstract and minimalist art by bringing back figural techniques and borrowing liberally from the aesthetics of mass media and advertising. Challenging conventional interpretations of this group, Alexander Bigman argues that these artists-especially Robert Longo, Jack Goldstein, Sarah Charlesworth, Gretchen Bender, and Troy Brauntuch-deployed totalitarian and fascist iconography to pose new, politically loaded questions about what it means to perceive the world historically in a society saturated by images. Throughout, he also situates their work in the context of other developments taking place in New York City at the time, including music, fashion, cinema, and literature. This is a book about art, popular culture, and memory, and especially about how the specter of fascism loomed for these artists in the 1970s and 1980s, and the ways it still looms for us today"--
"During the late 1970s, Jack Goldstein helped initiate an avant-garde art movement informally known as the 'Pictures Generation'. This retrospective volume highlights this and many other aspects of Goldstein's life and work."--Résumé de l'éditeur.
Art today is defined by its relationship to money as never before. Prices of living artists' works have been driven to unprecedented heights, conventional boundaries within the art world have collapsed, and artists now think ever more strategically about how to advance their careers. Artists no longer simply make art, but package, sell, and brand it. Noah Horowitz exposes the inner workings of the contemporary art market, explaining how this unique economy came to be, how it works, and where it's headed. He takes a unique look at the globalization of the art world and the changing face of the business, offering the clearest analysis yet of how investors speculate in the market and how emerging art forms such as video and installation have been drawn into the commercial sphere. By carefully examining these developments against the backdrop of the deflation of the contemporary art bubble in 2008, "Art of the Deal" is a must-read book that demystifies collecting and investing in today's art market.
Image art after Conceptualism : CalArts, Hallwalls, and Artists Space -- The jump : appropriation and its discontents -- "His gesture moved us to tears" : pictures art in a reinvigorated market.
Posthumous artist's book composed of Jack Goldstein's text based "Selectic Works," which resemble typewritten visual and concrete poetry works.
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