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This book attempts to understand Calvin in his 16th-century context, with attention to continuities and discontinuities between his thought and that of his predecessors, contemporaries, and successors. Muller pays particular attention to the interplay between theological and philosophical themes common to Calvin and the medieval doctors, and to developments in rhetoric and method associated with humanism.
This volume collects papers initially written as the plenary addresses for the largest international scholarly conference held in connection with the 500th anniversary of Calvin's birth, organized in Geneva by the Institute of Reformation History. The organizers chose as theme for the conference ''Calvin and His Influence 1509-2009,'' hoping to stimulate reflection about what Calvin's ideas and example have meant across the five centuries since his lifetime, as well as about how much validity the classic interpretations that have linked his legacy to fundamental features of modernity such as democracy, capitalism, or science still retain.
"Rinse Reeling Brouwer has: brought to the English-speaking world the erudite scholarship of Dutchtheologian Frans Breukelman....Breukelman weighs in on controversies between Edward Dowey and T.H.L. Parker on proper interpretation of Calvin, and he assesses Karl Barth's legacy as a Calvinist theologian. Surprising and instructive insights are gleans along the way on biblical narrative and the 'historicizing' of doctrine; the roots Protestant modernism in older orthodoxy; and the relation of Calvin to Luther and Melanchthon. A H01 resource kw Calvin scholars!"รน Katherine Sonderegger Virginia Theological Seminary --
A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life In France in the 17th century, the brothers Antoine (c. 1598-1648), Louis (c. 1600/1605-1648), and Mathieu (1607-1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to...
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