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First Published in 1984, Ideas into Politics contains new and exciting research on the ideologies that have shaped twentieth century Europe. It presents a rich spectrum of work, looking at reactionary and progressive ideas, at popular and official ideas, and at culture, artists, scholars and political thought. It examines the content of ideologies and how they were translated into political activity and explore ideas and politics in all the major countries of Europe, and takes into consideration the most important ideas from North America. This is an interesting read for scholars and researchers of modern history, political history, European history and history in general.
A new interpretation of the origins of World War I that synthesises recent scholarship and introduces the major historiographical and political debates surrounding the outbreak of the war. It examines key issues, providing a clear account of relations between the great powers, disintegrating empires, and the role of smaller states.
This book looks at the inception, composition, and 1907 publication of The Secret Agent, one of Joseph Conrad’s most highly regarded political novels and a core text of literary modernism. David Mulry examines the development and revisions of the novel through the stages of the holograph manuscript, first as a short story, then as a serialized sensation fiction in Ridgway’s Militant Weekly for the American market, before it was extensively revised and published in novel form. Presciently anticipating the climate of modern terror, Conrad’s text responds to the failed Greenwich Bombing, the first anarchist atrocity to occur on English soil. This book charts its historical and cultural milieu via press and anarchist accounts of the bombing, to place Conrad foremost among the dynamite fiction of revolutionary anarchism and terrorism in the late nineteenth and early twentieth centuries.
James Joll's study is not simply another narrative, retracing the powder trail that was finally ignited at Sarajevo. It is an ambitious and wide-ranging analysis of the historical forces at work in the Europe of 1914, and the very different ways in which historians have subsequently attempted to understand them. The importance of the theme, the breadth and sympathy of James Joll's scholarship, and the clarity of his exposition, have all contributed to the spectacular success of the book since its first appearance in 1984. Revised by Gordon Martel, this new 3rd edition accommodates recent research and an expanded further reading section.
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A new genre of film is identified and explored.