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Theatre in Southeast Asia
An astonishing variety of theatrical performances may be seen in the eight countries of Southeast Asia-Burma, Cambodia, Indonesia, Laos, Malaysia, the Philippines, Thailand, and Vietnam. Brandon's lively, wide-ranging discussion points out interesting similarities and differences among the countries. Many of his photographs are included here.
Brandon's Guide to Theater in Asia
From India to Japan, the theater of Asia spreads out like a brilliant kaleidoscope. There are dance-dramas, ballets, masked pantomimes, operas, operettas, shadow-plays, puppet-plays, and more. You will see not only actors and actresses, but elegant and exquisitely costumed court dancers, musicians, singers, and chanters. You will hear songs and heroic narratives and flights of poetic dialogue. Drums will thud and gongs will boom. Everywhere you go, the colors, sights, and sounds will vary enormously from place to place. But it is not easy to discover where theaters are, what types of plays are being staged, or the hours, days, and seasons of performance. The purpose of this Guide is to help ...
Kabuki
While its actors made their entrace down the Flower Way over three hundred years ago, little of kabuki's repertory has been available to English readers. Not only are adequate translations difficult to produce, but also because the spoken parts of the drama constitute but a portion of that grand spectacle, English renderings often have an elliptical quality.These five plays, however, were translated from tapes made by James Brandon at actual performances, imparting to them an unusual immediacy. The superb translations are further enhanced by detailed commentary and stage directions that reflect music and sound effects as well as positions of actors on stage and their stylized gestures and po...
On Thrones of Gold
¿Perhaps the best English-language puppetry book in years.¿ ¿Library Journal ¿Accessible and unexpectedly involving ... an essential book for anyone seriously interested in wayang.¿ ¿
No and Kyogen in the Contemporary World
How do classical, highly codified theatre arts retain the interest of today's audiences and how do they grow and respond to their changing circumstances? The eight essays presented here examine the contemporary relevance and significance of the "classic" No and Kyogen theatre to Japan and the West. They explore the theatrical experience from many perspectives--those of theatre, music, dance, art, literature, linguistics, philosophy, religion, history and sociology.
The Vendetta of the 47 Rōnin in Modern Kabuki
The revenge of the 47 rōnin is the most famous vendetta in Japanese history and it continues to inspire the popular imagination today. Written between 1934 and 1941, Mayama Seika’s ten-play cycle Genroku Chūshingura is a unique retelling of the incident based on his own painstaking research into the historical facts. Considered a modern masterpiece, it now has a secure place in the Kabuki repertoire and many of the plays are still frequently performed. For the first time, Seika’s monumental achievement is here translated into English in its complete and original form by three experienced experts in the field.
Acting
A groundbreaking, cross-cultural reference work exploring the diversity of expression found in rituals, festivals, and performances, uncovering acting techniques and practices from around the world. Acting: An International Encyclopedia explores the amazing diversity of dramatic expression found in rituals, festivals, and live and filmed performances. Its hundreds of alphabetically arranged, fully referenced entries offer insights into famous players, writers, and directors, as well as notable stage and film productions from around the world and throughout the history of theater, cinema, and television. The book also includes a surprising array of additional topics, including important venue...
