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Women Writing Crime Fiction, 1860-1880
Arthur Conan Doyle has long been considered the greatest writer of crime fiction, and the gender bias of the genre has foregrounded William Godwin, Edgar Allan Poe, Wilkie Collins, Emile Gaboriau and Fergus Hume. But earlier and significant contributions were being made by women in Britain, the United States and Australia between 1860 and 1880, a period that was central to the development of the genre. This work focuses on women writers of this genre and these years, including Catherine Crowe, Caroline Clive, Elizabeth Cleghorn Gaskell, Mary Elizabeth Braddon, Mrs. Henry (Ellen) Wood, Harriet Prescott Spofford, Louisa May Alcott, Metta Victoria Fuller Victor, Anna Katharine Green, Celeste de Chabrillan, "Oline Keese" (Caroline Woolmer Leakey), Eliza Winstanley, Ellen Davitt, and Mary Helena Fortune--innovators who set a high standard for women writers to follow.
The Shrieking Skull and Other Victorian Christmas Ghost Stories
Thirteen rare tales by the most prolific Victorian Christmas ghost story author, collected and republished for the first time! Move over, Charles Dickens! The author of "A Christmas Carol" may be the most famous Victorian author of Christmas ghost stories, but the king of the genre was James Skipp Borlase (1839-1909), who published dozens of them in obscure British and Australian periodicals during a nearly fifty-year span. Now for the first time, thirteen of Borlase's best tales have been unearthed from newspaper archives and compiled in a single volume for modern readers. In "A Weird Wooing" (1898) an impecunious suitor braves a house haunted by the ghosts of plague victims in search of a ...
Women’s Colonial Gothic Writing, 1850-1930
This book explores women writers’ involvement with the Gothic. The author sheds new light on women’s experience, a viewpoint that remains largely absent from male-authored Colonial Gothic works. The book investigates how women writers appropriated the Gothic genre—and its emphasis on fear, isolation, troubled identity, racial otherness, and sexual deviancy—in order to take these anxieties into the farthest realms of the British Empire. The chapters show how Gothic themes told from a woman’s perspective emerge in unique ways when set in the different colonial regions that comprise the scope of this book: Canada, the Caribbean, Africa, India, Australia, and New Zealand. Edmundson argues that women’s Colonial Gothic writing tends to be more critical of imperialism, and thereby more subversive, than that of their male counterparts. This book will be of interest to students and academics interested in women’s writing, the Gothic, and colonial studies.
Anthology Of Colonial Australian Adventure Fiction
Marauding bushrangers, lost explorers, mad shepherds, new chums and mounted troopers: these are some of the characters who populate the often perilous world of colonial Australian adventure fiction. Squatters defend their hard-earned properties from attack, while floods and other natural disasters threaten to wipe any trace of settlement away. Colonial Australian adventure fiction takes its characters on a journey into remote and unfamiliar territory, often in pursuit of wealth and well-being. But these journeys are invariably fraught with danger, and everything comes at a price. This anthology collects the best examples of colonial Australian adventure fiction, with stories by Ernest Favenc, Louis Becke, Rosa Praed, Guy Boothby, and many others. Also available in this series: The Anthology of Colonial Australian Gothic Fiction The Anthology of Colonial Australian Crime Fiction The Anthology of Colonial Australian Romance Fiction
Australian Children's Books: 1774-1972
Volume One of reference work listing all children's books by Australians together with children's books about Australia from 1774 to 1972. Entries provide physical descriptions, dates, publishers, illustrations, awards received and, in some cases, remarks on the content. Entries are arranged by author. Title and illustrator indexes are included.
Colonial Australian Fiction
Over the course of the nineteenth century a remarkable array of types appeared – and disappeared – in Australian literature: the swagman, the larrikin, the colonial detective, the bushranger, the “currency lass”, the squatter, and more. Some had a powerful influence on the colonies’ developing sense of identity; others were more ephemeral. But all had a role to play in shaping and reflecting the social and economic circumstances of life in the colonies. In Colonial Australian Fiction: Character Types, Social Formations and the Colonial Economy, Ken Gelder and Rachael Weaver explore the genres in which these characters flourished: the squatter novel, the bushranger adventure, coloni...
Great Australian World Firsts
From Sir Jack Brabham (first to win a Grand Prix in a car of his own design) to Tom Angove (inventor of the wine cask), from Bruce Thompson (introduced the first dual flush toilets) to Mary Fortune (the first female author of detective fiction) - here are the world's great ideas, inventions, feats and follies - as done first, by Australians.
