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Lady Justice: An Anatomy of Allegory leaves conventional readings of this pivotal figure in European legal history far behind. Hayaert's study brings together an analysis of thousands of images from the period 1400 - 1600, many of them previously overlooked, including artwork, frontispieces, legal texts, sculptures and statues in public spaces and in court buildings scattered across six countries. Lady Justice is taken apart and considered afresh - organ by organ, limb by limb, digit by digit, making a case for a treatment of allegory in all its complexity, ambiguity and affective force.This unique interdisciplinary study exceeds the iconographic orthodoxy of art historians and the reductive interpretations of legal historians alike. Setting aside styles and schools, ranging widely across time and space, Hayaert identifies Lady Justice as the seat of law's conscience, an archetype of the judge's daimon, and an affective, numinous address to all who, over the course of seven centuries, have found themselves moved by her redolent and inextinguishable presence.
What is art? What does art offer? Why does art move us? The CRC Different Aesthetics pursues these questions. In doing so, and by directing its attention towards the 2000-year history of European culture and art before the 18th century, it aims to transform perspectives within aesthetic discussions. This volume introduces the research undertaken by the CRC 1391. It outlines the benefits of concentrating on the pre-modern period, lays out the subsequent adjustments to analytical tools and methods, and presents the resulting consequences for the study of aesthetics. The contributions, which range from philology and literary studies, art history, archaeology, and musicology to historical science, theology, and the digital humanities offer concrete examples of this approach.
Pieter Bruegel the Elder and Religion offers new insight into the religious dimension of Bruegel’s art. With a number of highly original and thorough case studies, the volume illuminates Bruegel’s inventive and multifaceted engagement with the contemporary religious concepts and practices of his day and age. Religion remains a vital question in the life and career of Bruegel, because it was so long believed to be more or less absent from his work. As a pioneer of the new genres of landscape and peasant scenes, Bruegel was heralded as a ground-breaking “secular” painter. This volume highlights the most recent scholarship on the artist, offering a much more nuanced portrait of Bruegel’s engagement with the dynamic religious landscape of the mid-sixteenth century. Contributors are: Jessica Buskirk, Ralph Dekoninck, Bertram Kaschek, Walter S. Melion, Jürgen Müller, Anna Pawlak, Gerd Schwerhoff, Larry Silver, and Michel Weemans.
A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by A...
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Presidential vote 1848-1880 ; state officers, aggregated, 1846-1880, by counties, 1881-1883; United States Senators, Legislative, 1848-1882; Congressional, aggregated, 1838-1847, by counties, 1847-1883; Judicial, by counties, 1882; General assembly, by counties, 1883; with a sketch of the fight for prohibition, a complete list of all executive, legislative, and judicial officers of territory and state, and other useful and non-partison information.