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This small town accidental marriage romance by NYT bestselling romance author Jean Oram is heartwarming and sweet! Accidents happen. So does marriage. Struggling businessman Burke Carver can’t get Jill Armstrong out of his mind. She’s smart and intriguing, and a year ago they had a fun night at a conference—a night he can’t fully recall. With his company’s profits starting to slide, he knows he doesn’t have time for a relationship but he’s still tempted to look her up… Only he won’t have to. Jill Armstrong needs to talk to the handsome and brilliant CEO, Burke Carver. A year ago he made it clear he was happy to date her for an evening but not partner their businesses. Well,...
Already read a Veils and Vows book and need more? Treat yourself to this timeless collection of small town marriage of convenience romances! Accidental marriages, marriage pledges between friends, fake engagements, surprise weddings, secret marriages, a modern mail order bride and much more await in the small mountain town of Blueberry Springs. Included in this complete set of Veils and Vows books are: Prequel: The Promise When worlds collide. Will this race car driver and debutante be able to hold on to their love when reality comes knocking? Book 1: The Surprise Wedding Sometimes exes come in handy. A fake engagement and business deal bring Devon and Olivia back together for a second chanc...
An alternative history of the Renaissance—as seen through the emerging literature of beauty tips—focusing on the actresses, authors, and courtesans who rebelled against the misogyny of their era. Beauty, make-up, art, power: How to Be a Renaissance Woman presents an alternative history of this fascinating period as told by the women behind the paintings, providing a window into their often overlooked or silenced lives. Can the pressures women feel to look good be traced back to the sixteenth century? As the Renaissance visual world became populated by female nudes from the likes of Michelangelo and Titian, a vibrant literary scene of beauty tips emerged, fueling debates about cosmetics a...
The author of Immaculate Deception has penned another riveting, action-packed tale of treachery and murder. Private investigator Sam "Mac" McCloud has been enlisted by his police lieutenant friend, Danny Kelly, to investigate the spousal abuse of an employee and her husband's connection to a Modesto gang. In the meantime, Emily Campbell hires McCloud to find her husband so that she may file for a divorce. McCloud and his cousin, Sven "Swede" Anderson, the owner of the Downtown Athletic Club, travel to Portland, Oregon, to serve the divorce papers and become involved in another murder. A professional assassin appears to be the murderous culprit, and the two cases become entwined in a confusing trail of what appears to be strange coincidences. McCloud must traverse a suspenseful, sinister world of spousal abuse, gang violence, bank robbery, and murder before the cases are solved.
Verdict: Matrimony by JoAnn Ross\Sandra Canfield\Bobby Hutchinson released on Jul 25, 1996 is available now for purchase.
Accompanying an exhibition at The Courtauld Gallery, this catalogue explores one of the most important and historically neglected art forms of Renaissance Florence: cassoni - pairs of chests that were lavishly decorated with precious metals and elaborate paintings and were often the most expensive of a whole suite of decorative objects commissioned to celebrate marriage alliances between powerful families.
The perception that the early sixteenth century saw a culmination of the Renaissance classical revival - only to degrade into mannerism shortly after Raphael's death in 1520 - has been extremely tenacious; but many scholars agree that this tidy narrative is deeply problematic. Exploring how we can reconceptualize the High Renaissance in a way that reflects how we research and teach today, this volume complicates and deepens our understanding of artistic change. Focusing on Rome, the paradigmatic centre of the High Renaissance narrative, each essay presents a case study of a particular aspect of the culture of the city in the early sixteenth century, including new analyses of Raphael's stanze, Michelangelo's Sistine Ceiling and the architectural designs of Bramante. The contributors question notions of periodization, reconsider the Renaissance relationship with classical antiquity, and ultimately reconfigure our understanding of 'high Renaissance style'.