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In this volume you will find contributions on transnational European drama of the early modern period, featuring a range of innovative approaches. The volume, for the first time, covers dramas and theatre plays in Latin, English, French, Polish, Dutch, and Spanish. A second innovation is its combination of literary historical research and digital humanities. The topics range from court ballets to the reception of Seneca, from visual evidence of commedia dell’arte performances to the use of onomastics to trace connections between plays, and from TEI-tagging to the creation of Wikidata pages and digital networks on the role of the scheming slave in ancient and early modern Europe. Contributors include: Michał Bajer and Piotr Urbanski, Radhika Koul, Linda Simonis, Nigel Smith, Gabriela Villanueva Noriega, Barbara Fuchs, Thom Pritchard, M.A. Katritzky, Justyna Łukaszewska-Haberkowa, Ioana Galleron, Neven Jovanović, Julia Beine, James A. Parente, Jr.
This edited volume applies rhetorical methodologies to dramatic literature and performative text, exploring a wide range of themes, including musical theater, revivals, children's theater, disabilities, democracy, architecture, space, theosophy, and interfaith communication.
This volume presents the proceedings of the international conference “Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain”, held in 2012 as part of the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet). Implementing the concept of culture as a virtual network, it investigates Early modern European drama and its global dissemination. The 12 articles of the volume – all written by experts in the field teaching in the United Kingdom, the USA, Russia, Switzerland, India and Germany – focus on a selection of English and Spanish dramas from the sixteenth and seventeenth centuries. Analysing and comparing motifs, formal parameters as well as plot structures, they discuss the commonalities and differences of Early modern drama in England and Spain.
The papers of the present volume investigate the potential of the metaphor of life as theater for literary, philosophical, juridical and epistemological discourses from the Middle Ages through modernity, and focusing on traditions as manifold as French, Spanish, Italian, German, Russian and Latin-American.
Modern Virtue is the first book length treatment of Mary Wollstonecraft's theology and religion, the first to show the centrality of each for her account of the vrtues and revolution, and the first by a scholar in these fields. While Wollstonecraft is canonical in many other fields, she is mostly unknown or ignored in virtue ethics, theology, and religion. This book remedies this omission and the prevalent narratives sustained by it in the latter as well as predominant views of her religion and virtue in the former.
Providing a reassessment of John Hill Burton, a significant figure in 19th-century Scottish thought, this book presents a revision of the predominant historiographic interpretation of nineteenth-century Scotland. It traces Burton's remarkably diverse social and intellectual acquaintance, and equally varied literary endeavours, from his early life and education in 1820s Aberdeen to his increasingly prominent profile in the Edinburgh of Scott, Jeffrey and Cockburn. A detailed assessment of Burton's History of Scotland (1873) uncovers major themes which are then related to his formative experiences in the social and cultural world of his time. This analysis - and an examination of the enthusiastic reception of the work at home and abroad - overturn orthodox assumptions of the 'death' of Scottish history in the 19th century.
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