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A brilliant collaboration between internationally acclaimed Jane Austen expert, Janine Barchas, and New York Times bestselling graphic novelist, Isabel Greenberg. The Novel Life of Jane Austen is a one-of-a-kind, impeccably researched, ecstatically drawn graphic biography of one of the world's most beloved literary icons. Combining deep scholarship and serious whimsy, The Novel Life of Jane Austen presents this literary icon as the starring character in her own graphic novel. Told in three parts (Budding Writer 1796-1797); Struggling Artist 1801-1809; Published Author 1811-1817), the gritty circumstances of Austen's own genteel poverty and the small daily injustices so often borne by creative women at this time, are told against the backdrop of Georgian England and reflect, down to the smallest detail, many of the plots and characters woven into Austen's greatest works. All the settings and scenarios presented here are based upon the historical record, including the clothing, architecture, decor, and Regency locations. Sprinkled throughout, the Easter eggs and clever references to popular film adaptations of Austen's novels will satisfy the casual and avid Austen fan alike.
Elizabeth Kraft radically alters our conventional views of early women novelists by taking seriously their representations of female desire. Reading fiction by Aphra Behn, Delarivier Manley, Eliza Haywood, Sarah Fielding, Charlotte Smith, Frances Burney, and Elizabeth Inchbald in light of ethical paradigms drawn from biblical texts about women and desire, Kraft demonstrates not only the centrality of female desire in eighteenth-century culture and literature but its ethical importance as well.
Jane Austen was a keen consumer of the arts throughout her lifetime. The Edinburgh Companion to Jane Austen and the Arts considers how Austen represents the arts in her writing, from her juvenilia to her mature novels. The thirty-three original chapters in this Companion cover the full range of Austen's engagement with the arts, including the silhouette and the caricature, crafts, theatre, fashion, music and dance, together with the artistic potential of both interior and exterior spaces. This volume also explores her artistic afterlives in creative re-imaginings across different media, including adaptations and transpositions in film, television, theatre, digital platforms and games.
This interdisciplinary project draws on a wealth of sources (visual, material, literary and theatrical) to examine Austen's depiction of female performance, display and desire through her deployment of a culturally and symbolically charged accessory: the muff.
Paper Jane reflects Austen's heady reputation as a revered canonical author, even while her books are simultaneously enjoyed as "chick lit." Jane Austen's growing fame is measured at fifty-year intervals: in 1825, 1875, 1925, 1975, and 2025. In the semiquincentennial year of Jane Austen (1775-1817), she is arguably the best-known author in the English language after Shakespeare. However, this reputation was hard-won and was many years in the making. This book traces Jane Austen's ascendence as a literary celebrity through print--from fine first editions to mass-market paperbacks, supplemented by manuscripts, movie posters, graphic novels, theater bills, play scripts, and paper currency. The temporal dimension makes this not only the story of Austen's growing fame but also traces the changes in readers and reading culture over the last two centuries and a half. It demonstrates that cheap books are, in fact, the force that made "Miss Austen" canonical. Paper Jane accompanies an exhibition at The Grolier Club, drawing from private collections by Janine Barchas, Mary Crawford, and Sandra Clark.
Art Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition offers a detailed exploration of the major Modernist art periodicals in late imperial Russia, the World of Art (Mir Iskusstva, 1899-1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909-1917). By exploring the role of art reproduction in the nineteenth century and the emergence of these innovative art journals in the turn of the century, Hanna Chuchvaha proves that these Modernist periodicals advanced the Russian graphic arts and reinforced the development of reproduction technologies and the art of printing. Offering a detailed examination of the “inaugural” issues, which included editorial positions expressed in words and images, Hanna Chuchvaha analyses the periodicals’ ideologies and explores journals as art objects appearing in their unique socio-historical context in imperial Russia.
The Oxford Handbook of the Eighteenth Century Novel is the first published book to cover the 'eighteenth-century English novel' in its entirety. It is an indispensible resource for those with an interest in the history of the novel.
The traditional view of Samuel Johnson as hostile to particulars, trifles, and aesthetic mediocrity only half-explains his authorial character. Samuel Johnson and the Art of Sinking 1709-1791 argues that, in a period dominated by social and literary hierarchies, Johnson's works reveal a defining interest in 'little', 'mean', or 'low' topics and people. Freya Johnston moves away from a critical emphasis on what literature of this period excludes, to consider its modes of including recalcitrant material. Of necessity finite, any piece of writing is informed by the subject matter it omits or to which it indirectly alludes. How can we identify the peripheral topics or characters purportedly 'exc...
Hardcore bibliography meets Antiques Roadshow in an illustrated exploration of the role that cheap reprints played in Jane Austen's literary celebrity—and in changing the larger book world itself. Gold Winner of the 2019 Foreword INDIES Award for History by FOREWORD Reviews In the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of these hard-lived bargain books survive, yet they m...
Discover the links between characters in Jane Austen novels and real-life celebrities of the time. Winner of the CHOICE Outstanding Academic Title of the Choice ACRL In Matters of Fact in Jane Austen: History, Location, and Celebrity, Janine Barchas makes the bold assertion that Jane Austen’s novels allude to actual high-profile politicians and contemporary celebrities as well as to famous historical figures and landed estates. Barchas is the first scholar to conduct extensive research into the names and locations in Austen’s fiction by taking full advantage of the explosion of archival materials now available online. According to Barchas, Austen plays confidently with the tension betwee...