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Ethics and Aesthetics in Contemporary African Cinema
Since the beginnings of African cinema, the realm of beauty on screen has been treated with suspicion by directors and critics alike. James S. Williams explores an exciting new generation of African directors, including Abderrahmane Sissako, Mahamat-Saleh Haroun, Fanta Régina Nacro, Alain Gomis, Newton I. Aduaka, Jean-Pierre Bekolo and Mati Diop, who have begun to reassess and embrace the concept of cinematic beauty by not reducing it to ideological critique or the old ideals of pan-Africanism. Locating the aesthetic within a range of critical fields - the rupturing of narrative spectacle and violence by montage, the archives of the everyday in the 'afropolis', the plurivocal mysteries of s...
Talking to the Dead
Talking to the Dead is an exhaustive spectrum of a diasporic cinematic corpus of prophetic tradition as a dispositive that features the work of underrepresented and underestimated filmmakers such as Jean-Pierre Bekolo, Ladj Ly, Mati Diop, Wanuri Kahiu, Rosine Mbakam, Ryan Coogler, Alice Diop, Nana Mensah, Gina Prince- Bythehood, Nikyatu Jusu, Raoul Peck, Miryam Charles, Ellie Foumbi, Tracy Heather Strain, Jordan Peele, Sheila S, Walker, Margaret Brown, Pierre Yves Borgeaud, Rachid Hami and Abderrhamane Sissako and the homology between the black experience and the law of the conservation of energy where nothing is lost but constantly transformed. The black energy’s metaphor functions as the...
African Cinema, Neoliberal Narratives and the Right of Necessity
African cinema offers a distinctive contribution to world cinema with its unique expertise of neoliberal genealogy and its opposition to those ubiquitous logics that serve only to validate injustices and regression made in the name of managerial liberalism. It provides a deft analysis of the common thread running through globalization, free-market fanaticism, corporate greed and its asymmetrical economic dominance that naturalizes a global caste system. This book shows that African cinema represents a powerful contribution to our understanding of neoliberalism’s global dominance that generates shrinking security, multiple recessions and endless austerity, and a culture of permanent anxiety and precarity.
Migrations and Creative Expressions in Africa and the African Diaspora
Contributors ranging from architects to linguists explore the cultural and spiritual dynamics of migrations in Africa and the African diaspora. The co-authored volume provides readers with fresh insights on African migration and the attendant implications, productions and generations of the historic experiences of those who were forcefully displaced and others who willfully relocated to other spaces of the world. The book seeks to: engage debates on multiple issues which underpin the provoking history of African migration and their attendant implications; provoke a rethinking of the sociology and politics of migrating souls and resistant spirits in the Americas, Europe and Africa, the restive yet resolute entities, scattered, still, metaphorically united in their quest for, and hold on to identity; engender fresh understanding and interpretations of cultural ethos of African native homelands and establish, where present, their replication in migrant communities in the diaspora; and tie African migration history with modernity thereby underscoring the points of their interactions, departures, and tangentially establishing remembrances.
Health Knowledge and Belief Systems in Africa
Health care in sub-Saharan Africa is and will continue to be an issue of utmost importance in the twenty-first century. As the HIV/AIDS pandemic ravages the continent, the stakes heighten not only to provide effective and efficient health care to African communities, but also to disseminate knowledge about health-seeking behavior and to instill belief among people in the possibility of leading a healthy existence. Health Knowledge and Belief Systems in Africa raises questions and offers analysis on many issues related to how health and illness are understood by communities in Africa, as well as how health knowledge and beliefs are disseminated and utilized to provide health services to Afric...
Yoruba Creativity
Papers originally presented at an international conference on Perspectives on Yoruba History and Culture, held at the University of Texas at Austin, Mar. 26-28, 2004.
The Black Imagination, Science Fiction and the Speculative
This book expands the discourse as well as the nature of critical commentary on science fiction, speculative fiction and futurism – literary and cinematic by Black writers. The range of topics include the following: black superheroes; issues and themes in selected works by Octavia Butler; selected work of Nalo Hopkinson; the utopian and dystopian impulse in the work of W.E. B. Du Bois and George Schuyler; Derrick Bell’s Space Traders; the Star Trek Franchise; female protagonists through the lens of race and gender in the Alien and Predator film franchises; science fiction in the Caribbean Diaspora; commentary on select African films regarding near-future narratives; as well as a science fiction/speculative literature writer’s discussion of why she writes and how. This book was published as a special issue of African Identities: An International Journal.
The Poetics of Radical Hope in Abderrahmane Sissako’s Film Experience
The Poetics of Radical Hope: The Abderrhamane Sissako Experience communicates pieces of evidence that Sissako is the most talented and the most sophisticated filmmaker of his generation. This imaginative excellence emanates from new aspirations to fashion an original African cinematic aesthetic for a politic of radical hope and creative adaptation. Sissako’s contribution extends to all aspects of the indigenous motion pictures industry to help rebuild the continent’s cultural infrastructures and create intellectual and cultural spaces to mobilize narrative strategies to contribute in the making of potent African collectives. Far from being abstract, Sissako's logic of contribution resist...
