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This first biography of Racine in over half a century for an English-language readership also traces the impact of Racine over three centuries in England as well as France. The plays and their reception are reviewed, using contextual approaches as part of each phase of Racine's life-story, with excerpts and quotations translated. Racine's upbringing and work as poet and historiographer are related to the France of Louis XIV, to audiences and to advancement for this 'man from nowhere', with parallels in Britain and elsewhere. Changing attitudes to Racine are traced across the centuries, across literary movements and on stage, including recent productions. The book provides insights in the specialist field of Racine studies and seventeenth-century French literature and theatre, in comparative literary studies, particularly between France and Restoration England, and to the interaction of Racine and European cultural movements to the present day.
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Jean Racine (1639-1699) is the greatest tragic dramatist of the French Classical Age, a privileged epoch that consciously sought to equal previous high moments of civilization, such as the periods of Alexander, Augustus, and the Medici. The miracle of Racine is the brilliance of his artistic career at the point in the history of western culture when the theater was under its heaviest attack. Thanks to the powerful impact of his plays, he triumphed both professionally and socially. Ronald W. Tobin's analysis presents Racine as an icon in French literature. His cosmic and disturbing vision broods over unsettling questions of good and evil, freedom and constraint, self and society, immanence and transcendence, origins and perspectives. Tobin provides a detailed explication of Racine's masterpiece Phedre (1677). His study also contains fresh insights into Racine's other plays and illuminates French classical drama as a whole.
La Thébai͏̈de : from the thresholds of power to the limits of identity -- Alexandre le Grand, or, The ends of the earth -- Generational transition in Andromaque -- Life in an antechamber : time, space, and power in Britannicus -- The tragic time of self in Bérénice -- Bajazet, or, The dagger of Damocles -- Not going out to meet destiny in Mithridate -- Subjective dispersion in Iphigénie, or, The unbearable fullness of being -- Phèdre : leaving the shores of self
In Bajazet and Mithridate Racine depicts the tragedies of characters who either wield tyrannic power or are subjected to tyranny. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts. The contributors to this volume examine Racine’s stagecraft, his exploration of space, sound and silence, his language, and the psychology of those who exercise power or who attempt to maintain their freedom in the face of oppression. The reception and reworking of his plays by contemporaries and subsequent generations round off this wide-ranging study.
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Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
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