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The (Mis)Representation of Queer Lives in True Crime
This book examines the representation and misrepresentation of queer people in true crime, addressing their status as both victims and perpetrators in actual crime, as well as how the media portrays them. The chapters apply an intersectional perspective in examining criminal cases involving LGBTQ people, as well as the true crime media content surrounding the cases. The book illuminates how sexual orientation, gender, race, and other social locations impact the treatment of queer people in the criminal legal system and the mass media. Each chapter describes one or more high-profile criminal cases involving queer people (e.g., the murders of Brandon Teena and Kitty Genovese; serial killer Ail...
The Female Investigator in Literature, Film, and Popular Culture
In this book the author examines how women detectives are portrayed in film, in literature and on TV. Chapters examine the portrayal of female investigators in each of these four genres: the Gothic novel, the lesbian detective novel, television and film.
Television's Female Spies and Crimefighters
Emma Peel wearing her "kinky boots." Amanda King and her poppy seed cake. Julie Barnes at her hippie pad. Honey West with her pet ocelot. Television's female spies and crimefighters make quite an impression, yet there hasn't been a reference book devoted to them until now. This encyclopedic work covers 350 female spies, private investigators, amateur sleuths, police detectives, federal agents and crime-fighting superheroes who have appeared in more than 250 series since the 1950s, with an emphasis on lead or noteworthy characters. Entries are alphabetical by series, featuring credits and synopses, notable plot points, interesting facts and critical commentary on seminal series and characters. A brief history of female spies and crimefighters on TV places them in chronological perspective and sociological context.
Crucial Errors in Murder Investigations
Why is it that some people are convicted of murders that they did not commit, while others are not convicted of murders that they did commit? Australian Police Services are generally well funded, so something more must be involved. Just what that is, is investigated in this book. To minimise the prospect of future errors, we need both to scrutinise past cases where errors have been revealed, and to investigate police training procedures with a view to uncovering any errors of omission or commission, to see what scope there is for improvements. Each of us has good reason to take an interest in such matters, since any one of us could be a victim if we are in the wrong place at the wrong time. In fact all of us are victims to the extent that some guilty parties continue to walk free on our streets, and as taxpayers all of us fund the additional costs of dealing with crime, including the sizeable compensation payments that are made to those whose wrongful convictions are quashed. This book deals with instructive cases which continue to agitate the public mind, and makes practical suggestions for improved procedures.
The Grayless, Gradeless Family Register, 1743-1993
This book documents descendants of Timothy Grealis/Greylis, who left a 1743 will in Dorchester Co., MD. Jesse Grayless was a Lt. and a Captain in the Caroline Co. Militia in the Revolution and married Trephina Johnson (descendant of Cornelius Johnson, b. 1650s in the Netherlands) and lived in Caroline Co. MD. Descendants moved to Beaufort Co. NC, Ross and Fayette Co. Ohio, Allen and Whitley Co. Indiana. Philadelphia Grayless married Curtis Carmean. Nancy Grayless married John Carmean. Descendants are now throughout the United States.
Cult TV
From Emergency Ward 10 to ER and Quatermass to the X Files, cult television programmes have held viewers in their thrall for 40 years. In the '90s, satellite broadcasters have fuelled viewers' hunger for cult shows, while the terrestrial stations have muscled in with timewarp re-runs and new classics. Shows that a few years ago could only be played in the memory are back to entertain new audiences as well as those who remember their first time on air.
