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The year 167 B.C.E. marked the beginning of a period of intense persecution for the people of Judea, as Seleucid emperor Antiochus IV Epiphanes attempted -- forcibly and brutally -- to eradicate traditional Jewish religious practices. In Apocalypse against Empire Anathea Portier-Young reconstructs the historical events and key players in this traumatic episode in Jewish history and provides a sophisticated treatment of resistance in early Judaism. Building on a solid contextual foundation, Portier-Young argues that the first Jewish apocalypses emerged as a literature of resistance to Hellenistic imperial rule. In particular, Portier-Young contends, the book of Daniel, the Apocalypse of Weeks, and the Book of Dreams were written to supply an oppressed people with a potent antidote to the destructive propaganda of the empire -- renewing their faith in the God of the covenant and answering state terror with radical visions of hope.
Exhibition catalogue for Strategic Ambiguity: The Obscure, Nebulous, and Vague in Symbolist Prints, December 6, 2012 to March 1, 2013 at the La Salle University Art Museum. The prints in this exhibition demonstrate how the Symbolist fascination with ambiguity seen in their choices of subject matter (i.e. half-human, half-animal hybrids such as harpies and sphinxes, gender ambiguity and androgyny) extended to formal strategies of representation that obscure form as well as content. This exhibition places Symbolist art in the context of Modernism by focusing on the ways in which artists experimented with print media and explored technical means of suggesting formal ambiguity (i.e. flattening, ...
As portrayals of heroic women gain ground in film, television, and other media, their depictions are breaking free of females as versions of male heroes or simple stereotypes of acutely weak or overly strong women. Although heroines continue to represent the traditional roles of mothers, goddesses, warriors, whores, witches, and priestesses, these women are no longer just damsels in distress or violent warriors. In Heroines of Film and Television: Portrayals in Popular Culture,award-winning authors from a variety of disciplines examine the changing roles of heroic women across time. In this volume, editors Norma Jones, Maja Bajac-Carter, and Bob Batchelor have assembled a collection of essay...
Hebrew Union College Annual is the flagship journal of Hebrew Union College Press and the primary face of Hebrew Union College-Jewish Institute of Religion to the academic world. From its inception in 1924, its goal has been to cultivate Jewish learning and facilitate the dissemination of cutting-edge scholarship across the spectrum of Jewish Studies, including Bible, Rabbinics, Language and Literature, History, Philosophy, and Religion.
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John Strong Jr. (ca. 1610-1699) was a son of John Stronge Sr. and Eleanor Dean of Chard, Somerset County, England. John Jr. married Margery Dean, a first cousin, and immigrated in 1630 to Hingham, Massachusetts. Margery died shortly, and John married Abigail Ford in 1635. He fathered 18 children, of whom 15 had families. His family moved in 1638 to Taunton, in 1646 to Windsor, Connecticut, and in 1659 to Northampton, Massachusetts. Descendants and relatives lived in New England, New York, Pennsylvania, Ohio, Illinois, North Dakota, Virginia and elsewhere. Some descendants immigrated to Ontario and elsewhere in Canada. Includes ancestry in England to the early 1500s. Also includes history of the Strong Family Association of America, Inc. from its beginning in 1975 to the present, with its constitution and by-laws, as well as its national and regional officers, changes thereto, and brief reports of family reunions.