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Reading The Romantic Ridiculous aims to take Romantic Studies from the sublime to the ridiculous. Building on recent work that decentres the myth of the solitary genius, this duograph theorises the ridiculous as an alternative affect to the sublime, privileging collective laughter above solitude and selfishness and reflecting on these ideals through the practice of joint authorship. Tracing the history of the ridiculous through Romantic and post-Romantic debates about sublimity, from the rediscovery of Longinus and the aesthetic theories of Burke and Kant to contemporary queer and postcolonial theory interested in silliness, lowness, and vulnerability, Reading the Romantic Ridiculous explores Romanticism's surprising commitments to ridiculousness in canonical material by writers such as Samuel Taylor Coleridge, Jane Austen, and Charles Lamb as well as lesser-known material from joke books to children's literature. In theory and practice, this duograph also considers the legacies of Romanticism – and ridiculousness – today, analysing their influence on independent film, sitcoms, and young adult fiction, as well as their place in higher education now.
A new idea can become an expensive flop for TV executives. So from the earliest days of television, the concept of a pilot episode seemed like a good idea. Trying out new actors; new situations and new concepts before making a series was good economical sense. It was also tax deductible. Sometimes these pilots were shown on television; sometimes they were so awful they were hidden from sight in archives; and sometimes they were excellent one-offs, but a series seemed elusive and never materialised. Chris Perry has always been fascinated by the pilot episode. So many pilots are made annually, but never seen by audiences. Only a handful appear on screen. It's a hidden world of comedy, variety, drama and factual programming. This volume attempts to lift the lid on the world of the TV pilot by revealing the many transmitted and untransmitted episodes made through the decades.
A Guide to British television programmes shown at Christmas time, throughout the years.
Four hundred years after William Shakespeare’s death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new ‘Shakespeares’ to emerge, revealing Shakespeare’s ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean...
Drawing on complex narratives across film, TV, novels and graphic novels, this authoritative critical analysis demonstrates the value of fictional narratives as a tool for understanding, explaining and reducing crime and social harm. McGregor establishes an original theory of the criminological value of fiction.
What contemporary horror films teach us about the cruelties of capitalist society Capitalism Hates You uses the horror film genre as a tool to diagnose and expose the hostile conditions of life under capitalism. Through incisive critical analyses of popular films such as Get Out, Drag Me to Hell, Hereditary, The Babadook, and many others, Joshua Gooch draws connections between Marxist theory and contemporary narratives of psychological unease. Gooch highlights the work of women, trans, and nonwhite filmmakers to show how the remarkable diversity of twenty-first-century horror cinema can provide an expansive catalog of capitalism’s varying forms of oppression. Studying films that interrogat...
A Waterstones Best Book of 2024 'Marriage to Mike Leigh, the minutiae of working on Gavin and Stacey: it's a tribute to her range that there's something here to interest everybody' Telegraph The first memoir from the national treasure, critically acclaimed actress and much-loved Gavin and Stacey star.