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UNESCO, Cultural Heritage and Conflict in Yemen, Syria and Iraq
This book aims to determine UNESCO's capability to facilitate heritage protection measures pre-conflict, emergency response measures during conflict and reconstruction efforts post-conflict. The book employs document analysis to ascertain UNESCO's legal obligations when it comes to facilitating cultural heritage protection in its Member States' territories in the condition of armed conflict, while drawing comparisons with the reality of the organisation's presence and involvement in Yemen, Syria and Iraq. This study maps shifts in UNESCO's level of communication with each country's respective government and civil authorities; allocation of financial, human and material resources; and impleme...
Safeguarding Cultural Property and the 1954 Hague Convention
Significant attention today focusses on heritage destruction, but the key international laws prohibiting it - the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and its First and Second Protocols (1954/1999) - lay out two core strands to limit the damage: the measures of respect for armed forces, and the safeguarding measures states parties should put in place in peacetime. This volume incorporates wide-ranging international perspectives from those in the academy, together with practitioner insights from the armed forces and heritage professionals, to explore the safeguarding regime. Its contributors consider such questions as whether state parti...
Art Crime in Context
This book brings together empirical and theoretical case-study research on art and heritage crime. Drawn from a diverse group of researchers and professionals, the work presented explores contemporary conceptualisations of art crime within broader contexts. In this volume, we see ‘art’ in its usual forms for art crime scholarship: in paintings and antiquities. However, we also see art in fossils and in violins, chairs and jewellery, holes in the ground and even in the institutions meant to protect any, or all, of the above. And where there is art, there is crime. Chapters in this volume, alternatively, zoom in on specific objects, on specific locations, and on specific institutions, considering how each interact with the various conceptions of crime that exist in those contexts. This volume challenges the boundaries of what we understand as “art and heritage crimes” and displays that both art, and criminality related to art, is creative and unpredictable.
Appropriating Sacred Spaces
The book provides deep insights into heritage politics in Myanmar on the basis of the conservation history of Bagan and its entanglement in national politics. It particularly investigates the heritage practice of the dictatorial regime that ruled Myanmar from 1988 to 2011 and highlights the implications of both the reconciliation politics of Aung San Suu Kyi’s NLD government (2016-2020) and the UNESCO World Heritage System. The book examines the function of Bamar-Buddhist architecture in the spatial strategy of the 1988-2011 regime and its nation-building efforts. With a focus on the historic site of Bagan, included on the World Heritage List in 2019, and the “Adopt-a-Pagoda Program” t...
