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Gathers together a selection of John Conomos's essays across the years, tracking the trajectory of his cinephilia since the 1960s, his ongoing interests in film criticism and teory, as well as his deep involvement in video art and new media since the 1980s.
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Imaging Identity presents potent reflections on the human condition through the prism of portraiture. Taking digital imaging technologies and the dynamic and precarious dimensions of contemporary identity as critical reference points, these essays consider why portraits continue to have such galvanising appeal and perform fundamental work across so many social settings. This multidisciplinary enquiry brings together artists, art historians, art theorists and anthropologists working with a variety of media. Authors look beyond conventional ideas of the portrait to the wider cultural contexts, governmental practices and intimate experiences that shape relationships between persons and pictures. Their shared purpose centres on a commitment to understanding the power of images to draw people into their worlds. Imaging Identity tracks a fundamental symbiosis — to grapple with the workings of images is to understand something vital of what it is to be human.
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Is a patrimony something we inherit or something we create? Does it mark the continuation of the past or its disappearance? Combining elements of criticism, cultural history and memoir, Patrimonies addresses the questions: How do we take from and give back to those who came before? How have their actions and choices left their mark on us? The instigation for these questions is an awareness of precariousness—people, places and histories on the brink. This is what gives George Kouvaros's essays their sense of occasion and responsibility—to those who came before and those still to come. The outcome is a form of writing that is deeply moving and alert to the tension between survival and transformation, preservation and appropriation that defines the engagements with our forebears.
This book brings together critical and theoretical essays examining the connections between films and landscapes. It showcases the work of established and emerging academics whose research probes the complex relationships between moving images and the filmed environment, and accounts for the impactful effects of viewing lived spaces and human places on screen. The essays in this collection actively engage with examples of contemporary popular and art cinema, genre films and auteur canon, historical films, propaganda, documentary and animation in their explorations of the meanings with which filmed landscapes are endowed and invested. The breadth of the study is matched by the depth of the in...
Vols. 24-52 include the Proceedings of the American Numismatic Association Convention, 1911-39.