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"On a May morning in 1931, Nassau County police officer Fred Hirsch was gunned down by the notorious New York City gangster Francis Crowley. Nicknamed "Two Gun" for tricking and murdering cops with a second loaded firearm, Crowley left a bloody trail from the Bronx to Long Island. ...Eventually he was tracked to a hideout in Manhattan, where a two-hour gun battle, including more that two hundred cops and ten thousand spectators, let to his capture. ...Author Jerry Aylward presents the murderous life of Francis "Two Gun" Crowley from the streets of New York to the electric chair in Sing Sing."--Back cover.
Brilliant, poetic, a master of fantastic symbolism and emotional portraiture, John Crowley is one of the finest contemporary American novelists. As Harold Bloom writes in his Preface to this book, "Crowley writes so magnificently that only a handful of living writers can equal him as a stylist . . . Of novelists, only Philip Roth consistently writes on Crowley's level." Engine Summer; Little, Big; Aegypt; Great Work of Time; The Translator: these are only the highlights of a twenty-five year literary career of extraordinary depth and eloquence. Yet Crowley has not been the subject of a full-length critical study until now; Snake's-Hands remedies this lack, in full. In Snake's-Hands, Alice K....
The essays in this volume seek to expose the scandals of adaptation. Some of them focus on specific adaptations that have been considered scandalous because they portray characters acting in ways that give scandal, because they are thought to betray the values enshrined in the texts they adapt, because their composition or reception raises scandalous possibilities those adapted texts had repressed, or because they challenge their audiences in ways those texts had never thought to do. Others consider more general questions arising from the proposition that all adaptation is a scandalous practice that confronts audiences with provocative questions about bowdlerizing, ethics, censorship, contagion, screenwriting, and history. The collection offers a challenge to the continued marginalization of adaptations and adaptation studies and an invitation to change their position by embracing rather than downplaying their ability to scandalize the institutions they affront.
This book provides readers with a unique, in-depth understanding of the background to the Irish Famine and a detailed account of the crisis, as well as the immediate and long-term results of the catastrophe. In addition to exploring the ecological and agriculture factors, this work shows how cultural, economic and political influences shaped British attitudes and policies. When the entire potato crop failed in the fall of 1846, what began as an ecological disaster quickly became a political one. Hampered by long-standing prejudice and Anglo-Irish tensions, the British government’s various attempts to deal with the humanitarian crisis were muddled by competing economic and social goals. Among these was the idea that the Famine represented an “opportunity” to purge Ireland of fragmented land holding and potato dependency by encouraging an English-type market-driven agriculture. Changes did occur, but the government’s imperial dreams eventually ran up against Irish realities.