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Time and Uncertainty
The essays in this volume all originated at the 2001 conference of the International Society for the Study of Time. The theme 'Time and Uncertainty' sounds redundant, but the contributions try to come to terms with the irreducible openness of time and the impermanence of life. The essays from various disciplines have been grouped around 'fracture and rupture' (grappling with time and uncertainty as a breach) and 'rapture and structure (solving uncertainty into pattern).
The Voices of Romance
This study focuses on techniques of romance characterization and, through stylistic analysis, compares speech characteristics of parallel characters in Thomas Malory's Le Morte Darthur, Philip Sidney's New Arcadia, and Emily Bronte's Wuthering Heights.
ImageScapes
The relationship between different media has emerged as one of the most important areas of research in contemporary cultural and literary studies. But how should we conceive of the relationship between texts and images today? Should we speak of collaboration, interaction or competition? What is the role of literary, historical and scientific texts in a culture dominated by the visual? What is the status of images as cultural artefacts? Are images forms of representation, do they simulate reality or do they intervene in the material world? And how do literature and cultural theory - themselves essentially textual discourses - react to the much-discussed visual turn within Western culture? Does the concept of 'intermediality' allow literary, historical and cultural scholars to envisage a more general theory of media? Addressing these questions from a programmatic point of view, the articles in this volume investigate the effects of different forms of representation in modern European and American literature, media and thought.
Glancing Visions
"The sweeping vantages that typify American landscape painting from the nineteenth century by Thomas Cole and other members of the Hudson School are often interpreted for their geopolitical connotations, as visual attempts to tame the wild, alleviating fears of a savage frontier through views that subdue the landscape to the eye. Zachary Tavlin's "Glancing Visions" challenges the long-standing assumption that visuality in nineteenth-century art and literature was inherently imperialistic or possessive. While there is much to be said for both material, economic, and theological impulses to clear the wilderness, superimpose a national identity, and usher in a Puritanical idyll, many literary f...
"An Insect View of Its Plain"
During the nineteenth century, insects became a very fashionable subject of study, and the writing of the day reflected this popularity. However, despite an increased contemporary interest in ecocriticism and cultural entomology, scholars have largely ignored the presence of insects in nineteenth-century literature. This volume addresses that critical gap by exploring the cultural and literary position of insects in the work of Henry David Thoreau, Emily Dickinson, and John Muir. It examines the beliefs these authors share about the nature of our connection to insects and what insects have to teach about creation and our place in it. An important contribution to both ecocriticism and literary entomology, this work contributes much to the understanding of Thoreau, Dickinson, and Muir as nature writers, natural scientists, entomologists, and botanists, and their intimate and highly spiritual relationships with nature.
Pearl's Twilight Nature in the Scarlet Letter
Seminar paper from the year 2004 in the subject American Studies - Literature, grade: 1+ (A), University of Hamburg, course: Nathaniel Hawthorne and the Puritans, 13 entries in the bibliography, language: English, abstract: In The Scarlet Letter Nathaniel Hawthorne has not only created an intriguing plot, but also some very "picturesque" characters, among whom the character of Pearl can probably be viewed as the most unique one. Pearl, a composition of demon offspring and elf-child, cannot but raise the question of her identity, and nature, from the day she is born. Not only the Puritan community, even her own mother persistently questions her human nature and allegorizes her as a token of g...
