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No detailed description available for "Bibliography on the History of Chemistry and Chemical Technology. 17th to the 19th Century".
Combining archaeology, local and military histories, community recollections, and landscape studies, this groundbreaking study, the first excavation of a Civil War site in Ireland, facilitates a wider discussion of the role of dugouts in guerrilla warfare and offers a unique view on the Irish revolutionary period at a regional and national scale.
After World War I, artists without formal training “crashed the gates” of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.