You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Exploring and understanding how medieval Christians perceived and constructed the figure of the Prophet Muhammad is of capital relevance in the complex history of Christian-Muslim relations. Medieval authors writing in Latin from the 8th to the 14th centuries elaborated three main images of the Prophet: the pseudo-historical, the legendary, and the eschatological one. This volume focuses on the first image and consists of texts that aim to reveal the (Christian) truth about Islam. They have been taken from critical editions, where available, otherwise they have been critically transcribed from manuscripts and early printed books. They are organized chronologically in 55 entries: each of them provides information on the author and the work, date and place of composition, an introduction to the passage(s) reported, and an updated bibliography listing editions, translations and studies. The volume is also supplied with an introductory essay and an index of notable terms.
Broadens the perspective of recent work on the discourse of the Muslim Other in medieval Christendom by investigating pertinent texts, art, and artefacts, situating these local discourses of the Muslim Other in the larger cultural context of proto-Eurocentric discourse.
In Wonder as a New Starting Point for Theological Anthropology: Opened by the World, José Francisco Morales Torres constructs a new theological anthropology that begins with wonder. He contends that the visceral experience of wonder is an opening up of the human by an excess that saturates the world. This opened-by-ness points to a transforming receptivity as the basis of the person and to an extravagant Generosity that grounds all creation. Thus, wonder, which is grounded in generous Excess, is not only a gift but a demand: it calls for a liberative praxis that resist the forces that flatten the fullness of life into what is ‘useful’ and profitable and that reduce the limitless worth of fellow humans to mere commodities to be exploited and exchanged at the altar of the idolatrous ‘Market’. Wonder reveals a primordial receptivity in the human person, which demands of us an ethic of sustainability that does not reduce the other to commodity, a vulnerability that risks being opened by the other, a commitment to solidarity and liberation that resist the forces of an insatiable, idolatrous Market that seeks “only to steal and kill and destroy.”
Islam in Russia is a rare scholarly attempt to understand the tolerant nature of Islam in the modern Russian Federation since the state’s official acceptance of Islam. The book explores the key factors that have contributed, over time, to the establishment of a co-existent form of Islam in modern multi-ethnic and multinational Russia. It also probes discussion of the role that Russian Muslim intellectuals have played in forming contemporary Russian Islam. It concludes that the co-existent form of Islam in Russia can be linked to three key factors: its historical emergence, the intellectual culture, and strong regional identities. This original and engaging examination of the development and identity of Islam in Russia is a useful resource for students and scholars of Global Islam, Islam in Europe, History of Russia, Islamic History, Islamic Thought and Modern Religious History.
The burgeoning field of Mediterranean Studies, which favors intersectionality over compartmentalisation, has resulted in fresh ways of understanding pre-modern interreligious relationships. This volume will introduce advanced students and non-specialists to various historical interactions between Christians, Jews, and Muslims within the frame of the “sea at the centre”. Its chronological range is the long central Middle Ages (1000 to 1600 CE), and includes most Mediterranean regions: Iberia, North Africa, the Levant, Asia Minor, the Balkans, Italy, Provence, and the sea itself.
Amy Remensnyder explores how Spanish Christians shaped the Virgin Mary as a symbol of the twinned colonizing enterprises of conquest and conversion in medieval Spain and early Spanish America. Beginning in the eleventh century and ending in the seventeenth century, the book brings together the medieval and early modern periods, the Old and New Worlds. It also brings together minorities whom historians most often treat separately: Jews, Muslims, those Jews and Muslims who converted to Christianity in the fifteenth and sixteenth centuries (conversos and Moriscos), and the indigenous peoples of the New World.
This study traces the history of San Isidoro in León from a small eleventh-century palatine chapel housed in a double monastery to a great twelfth-century pilgrimage church. Its most groundbreaking contribution to the history of art is the recovery of the lost patronage of Queen Urraca (reigned 1109-1126).