You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
American Voices of Conscience, Post-9/11 is an anthology of letters, op-eds, speeches and short essays drawn from a broad spectrum of Americans, which eloquently expresses their outrage, betrayal and frustration over the corrupt and misguided actions and policies of the Bush/Cheney administration since the tragedies of 9/11. Within its pages, you?ll find stirring monologues, passionate rants, laser-guided satire, and proposals for sane, nonviolent solutions to our problems. From soldiers to seniors, from Zen monks to Christian ministers, from librarians to libertarians, these are the true patriots - those who really care what is happening to our society and have had the courage to speak out against dishonesty and deception in our cherished institutions. With the publication of Outcry: American Voices of Conscience, Post-9/11, we hope to weave these myriad voices into a chorus of reason and compassion. For they are the voices of conscience, unintimidated by the dissonance of militarism, corporate greed, and the blind, uncritical acceptance of flag-waving propaganda.
The Spirit and the Screen engages contemporary films from the perspective of pneumatology to give theologies of culture fruitful new perspectives that begin with the Spirit rather than other common theological contact points (Christology, anthropology, theological ethics, creation, eschatology, etc.). This book explores pertinent pneumatological issues that arise in film, as well as literary devices that draw allusions to the Spirit. It offers three main contributions: first, it explores how Christian understandings of the person and work of the Spirit illuminate the nature of film and film-making; second, it shows that there are in fact “Spirit figures” in film (as distinct from but ins...
The Avett Brothers sing of a spiritual yearning present in modern culture. Without being overtly religious, theological underpinnings are prevalent in their music. The contributors in this book delve into the Avett Brother's explicit and implicit theology with an eye on how they help make sense of our secular age. Theology and the Avett Brothers offers a rich contemplation on how these brothers from North Carolina help listeners navigate the religious consciousness of today's world, exploring themes like the good life, virtue formation, empathy, ministry models, and dying.
After Star Trek: Enterprise concluded in 2005, Star Trek went on hiatus until the 2009 film Star Trek and its sequels. With the success of these films, Star Trek returned to the small screen with series like Discovery, Picard, and Strange New Worlds. These films and series, in different ways, reflect cultural shifts in Western society. Theology and Star Trek gathers a group of scholars from various religious and theological disciplines to reflect upon the connection between theology and Star Trek anew. The essays in part one, “These are the Voyages,” explore the overarching themes of Star Trek and the thought of its creator, Gene Roddenberry. Part two, “Strange New Worlds,” discusses politics and technology. Part three, “To Explore and to Seek,” focuses on issues related to practice and formation. Part four, “To Boldly Go,” contemplates the future of Star Trek.
Bob Dylan and the Spheres of Existence shows that existential questions lie at the heart of Bob Dylan’s songwriting—a point that will developed with the help of renowned Danish philosopher Søren Kierkegaard. One of the focal points of Kierkegaard’s authorship is the journey towards authentic selfhood. Famously, he thematizes this journey in terms of existential “spheres”—the aesthetic, the ethical, and the religious. Whereas the aesthetic involves a preference for immediacy, the ethical has to do with achieving a sense of personal identity by way of living for enduring commitments and values. Yet, higher than both of these stages is the religious, which initially concerns the im...
None
Songs of protest have been inspiring activists for millennia, and continue to be created, shared, and reworked across musical genres. From the prophet Habakkuk as proto-protest singer, through a broad spectrum of twentieth and twenty-first century artists and diverse faith traditions, Theology and Protest Music gathers compelling contributions that examine Brazilian eschatology, Black liberation and womanism, esoteric Islam in Five Percenter rap, heavy metal as anti-theology, Howard Thurman's relevance to jazz, Cuban Santería priest Pedrito Martinez' sacred Batá drumming, as well as theological reflections on Jay-Z, Funkadelic, Marvin Gaye, Sweet Honey in the Rock, and the social justice chorale movement. Those interested in theology and popular culture, as well as scholars of music, social justice, racial identity, LGBTQ+ studies, and gender studies will find new aspects of the broad spectrum of protest music and its diverse spiritual connections. Theology and Protest Music also features invited contributions by pioneering choral activist Catherine Roma and world-renowned performer, composer, and educator Dr. Ysaye Maria Barnwell.
Prince was a spiritual and musical enigma who sought to transcend race and gender through his words, music, and fashion. Raised as a Seventh-Day Adventist and later going door-to-door as a Jehovah's Witness, he expressed his faith overtly and allegorically, erotically and poetically. Theology and Prince is an edited collection on theology and the life, music, and films of Prince Rogers Nelson. Written for academics yet accessible for the layperson, this book explores Prince's ideas of the afterlife; race and social justice activism; eroticism; veganism; spiritual alter egos (with a deep dive into the dark character of "Spooky Electric"); a queer listening of the Purple Rain album; the theology of the Graffiti Bridge film (featuring interviews with co-star Ingrid Chavez and other collaborators), and a story from Texas of a Christian worship service designed around Prince's music in the wake of his passing. Those interested in theology and popular culture; scholars of social justice, racial identity, LGBTQ+ studies, and gender studies; as well as Prince "fams" will find new ways of viewing Prince's old and new works.
None