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'I was twenty-six years old and an associate beauty editor at Lucky, one of the top fashion magazines in America. That’s all that most people knew about me. But beneath the surface, I was full of secrets: I was a drug addict, for one. A pillhead. I was also an alcoholic-in-training who guzzled warm Veuve Clicquot after work alone in my boss’s office with the door closed; a conniving and manipulative uptown doctor-shopper; a salami-and-provolone-puking bulimic who spent a hundred dollars a day on binge foods when things got bad (and they got bad often); a weepy, wobbly, wildly hallucination-prone insomniac; a tweaky self-mutilator; a slutty and self-loathing downtown party girl; and – p...
The Spirit and the Song:Pneumatological Reflections on Popular Music explores pertinent pneumatological issues that arise in music. It offers three distinct contributions: first, it asks what, if anything, music tells listeners about God’s Spiritedness. Can the experience of music speak to human spiritedness, the world’s transcendentality, or a person’s own self-transcendence in ways nothing else does or can? Second, this book explores how the Spirit functions within, and even determines, culture through music. Because music is a profound human expression, it can find itself in a rich dialogue with the Spirit. Third and finally, this book explores the contested status of music in Christian spiritual traditions. It deals with music as inspired by the Spirit, music as participation in Spiritedness, and music as temptation of “the flesh.” As such, this book also engages music’s placement in Christian spiritual traditions. The contributors of this book ask how Christian convictions about and experiences of the Spirit might shape the way one thinks about music.
It would be an unusual fish indeed that contemplated the nature of the very water in which it lives. Ironically, human beings do not fare much better than fish: we tend not to notice the way language permeates all our life and thought. Ludwig Wittgenstein (1889-1951) was one of a handful of recent thinkers who has shown just how important the nature of language is for the doing of theology. Not only do the workings of language outrank the authority of math and science, the very regularities by which we are able to communicate are inextricably tied to the bodily nature of our existence. (Of course, the bodily dimension of human language is why God’s plan for reestablishing open communication with us required the incarnation of Jesus-the-Word rather than simply emailing to us a philosophical treatise.) Moreover, this bodily nature is irreducibly social by nature, and it is in the social “dance” with others that the world is brought into focus for a given individual. This present volume unpacks four of Wittgenstein’s central concepts—language-games, grammar, form of life, and aspect-seeing—in order to explore their importance for doing the work of theology.
Scholars have been arguing for years that Star Wars is more than light sabers, Wookies, Millennium Falcons, and troubling familial relationships. Star Wars is an exciting space fantasy that we can explore from multiple academic perspectives, such as philosophy and psychology. This volume adds to that conversation by asking, “what would it look like if we analyzed the Star Wars universe theologically?” In Theology and the Star Wars Universe, contributors from various theological traditions take on this task by exploring the nature of the Force, the spiritual role of the Jedi, nonviolent and liberationist readings of the Franchise, and the enduring power of hope. Written for the restless, curious academic but accessible to diehard fans, Theology and the Star Wars Universe is an exciting foray into the study of theology and popular culture.
Feder (1930-95) was a hobbyist artisan, author, curator, and editor who contributed significantly to the theoretical and methodological foundation of American Indian art as it emerged from the dusky corridors of museum anthropology to public prominence and the upscale art market. American, Canadian, and European anthropologists explore topics relating to his interests. Most of the illustrations are in color. Distributed in the US by University of Washington Press. Annotation copyrighted by Book News, Inc., Portland, OR.
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