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Music and dance in Canada today are diverse and expansive, reflecting histories of travel, exchange, and interpretation and challenging conceptions of expressive culture that are bounded and static. Reflecting current trends in ethnomusicology, Contemporary Musical Expressions in Canada examines cultural continuity, disjuncture, intersection, and interplay in music and dance across the country. Essays reconsider conceptual frameworks through which cultural forms are viewed, critique policies meant to encourage crosscultural sharing, and address ways in which traditional forms of expression have changed to reflect new contexts and audiences. From North Indian kathak dance, Chinese lion dance,...
Studying the role of music within religious congregations has become an increasingly complex exercise. The significant variations in musical style and content between different congregations require an interdisciplinary methodology that enables an accurate analysis, while also allowing for nuance in interpretation. This book is the first to help scholars think through the complexities of interdisciplinary research on congregational music-making by critically examining the theories and methods used by leading scholars in the field. An international and interdisciplinary panel of contributors introduces readers to a variety of research methodologies within the emerging field of congregational ...
Christian Sacred Music in the Americas explores the richness of Christian musical traditions and reflects the distinctive critical perspectives of the Society for Christian Scholarship in Music. This volume, edited by Andrew Shenton and Joanna Smolko, is a follow-up to SCSM’s Exploring Christian Song and offers a cross-section of the most current and outstanding scholarship from an international array of writers. The essays survey a broad geographical area and demonstrate the enormous diversity of music-making and scholarship within that area. Contributors utilize interdisciplinary methodologies including media studies, cultural studies, theological studies, and different analytical and ethnographical approaches to music. While there are some studies that focus on a single country, musical figure, or region, this is the first collection to represent the vast range of sacred music in the Americas and the different approaches to studying them in context.
This first major examination the interrelationships of music and surfing explores different ways that surfers combine surfing with making and listening to music. Tim Cooley uses his knowledge and experience as a practicing musician and avid surfer to consider the musical practices of surfers in locations around the world, taking into account ideas about surfing as a global affinity group and the real-life stories of surfers and musicians he encounters. In doing so, he expands ethnomusicological thinking about the many ways musical practices are integral to human socializing, creativity, and the condition of being human. Cooley discusses the origins of surfing in Hawai‘i, its central role i...
Abraham Ens (1826-1911), son of Abraham Ens (b. 1789) and grandson of Johnann Ens (b. 1750), a native of Prussia, and his first wife, Helena Gossen (1825-1864) had five children, 1848-1864. He married 2) Elisabeth Dyck (1835-1895) in 1865. They had five children, 1865-1874. He probably died at Schoenhorst, Russia. His son, Abraham Ens (1865-1935) took his first teaching job at Steinfeld in the Ukraine in 1877. He married Katharina Mantler (1862-1890) in 1884 at NeuChortitza. They had two daughters, 1886-1887. He married 2) Anna Towes (1869-1941), daughter of Abram and Maria Klassen Towes, in 1890 at NeuRosengart. They had twelve children, 1892-1910. The family left Neuhorst, Ukraine, in 1893...
Jacob Harder (1819-1904), son of Peter Harder (1788-1853) and Maria Friesen (1795-1849), married Maria Abrams (1819-1902) in 1839. They had thirteen children. They lived in South Russia. They immigrated to Canada in 1875. Ancestors, descendants and relatives lived mainly in Russia, Manitoba, Mexico and Paraguay.