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A Concise Companion to Confucius
This authoritative collection surveys the teachings of Confucius, and illustrates his importance throughout Chinese history in one focused and incisive volume. A Concise Companion to Confucius offers a succinct introduction to one of East Asia’s most widely-revered historical figures, providing essential coverage of his legacy at a manageable length. The volume embraces Confucius as philosopher, teacher, politician, and sage, and curates a collection of key perspectives on his life and teachings from a team of distinguished scholars in philosophy, history, religious studies, and the history of art. Taken together, chapters encourage specialists to read across disciplinary boundaries, provi...
The Oxford Handbook of Confucianism
Comprised of thirty-eight original essays by experts from a wide range of disciplines, the Oxford Handbook of Confucianism covers the Confucian tradition chronologically, geographically, and topically through textured and innovative examinations of foundational subjects and emerging topics in Confucian studies.
Rethinking Visual Narratives from Asia
Rethinking Visual Narratives covers topics from the first millennium B.C.E. through the present day, testifying to the enduring significance of visual stories in shaping and affirming cultural practices in Asia. Contributors analyze how visual narratives function in different Asian cultures and reveal the multiplicity of ways that images can be narrated beyond temporal progression through a particular space. The study of local art forms advances our knowledge of regional iterations and theoretical boundaries, illustrating the enduring importance of pictorial stories to the cultural traditions of Asia. Contributors include Dominik Bonatz (Archaeologist Free University of Berlin), Sandra Cate ...
Mirror of Morality
Mirror of Morality takes an interdisciplinary look at an important form of pictorial art produced during two millennia of Chinese imperial rule. Ideas about individual morality and state ideology were based on the ancient teachings of Confucius with modifications by later interpreters and government institutions. Throughout the imperial period, members of the elite made, sponsored, and inscribed or used illustrations of themes taken from history, literature, and recent events to promote desired conduct among various social groups. This dimension of Chinese art history has never before been broadly covered or investigated in historical context. The first half of the study examines the nature of narrative illustration in China and traces the evolution of its functions, conventions, and rhetorical strategies from the second century BCE through the eleventh century. Under the stimulus of Buddhism, sophisticated techniques developed for representing stories in visual form. While tracing changes in the social functions and cultural positions of narrative illustration, the second half of the book argues that narrative illustration continued to play a vital role in elite visual culture.
On Telling Images of China
The essays in this volume address a diverse range of issues in China’s narrative art and visual culture mainly from the Ming dynasty (1368–1644) to the present. These studies attend to the complex ways in which images circulate in pictorial media and across boundaries between ‘high art’ and popular culture—images in paintings, prints, stone engravings and posters, as well as in film and video art. In addition, the authors examine the roles of ancient exemplary stories and textual narratives, as well as their reiteration in the visual arts in early modern and modern social and political contexts. The volume is divided into three sections: Representing Paradigms, Interpreting Literary Themes and Narratives, and the Medium and Modernity. While the essays in each section deal with concerns in the field of China’s art history, an editors’ introduction serves to position the topic of narrative art and to introduce definitions and genre issues which run through the book. As a whole, the volume invites reflection on the intrinsic nature of narratives and their pictorial lives, and presents new research which challenges established views and paradigms.
Chinese Religious Art
Chinese Religious Art is a broad survey of the origins and development of the various forms of artistic expression of Chinese religions. The study begins with an overview of ancient archaeology in order to identify nascent religious ideologies in various Neolithic Cultures and early Chinese historical eras including the Shang dynasty (1300-1050 BCE) and Zhou Dynasty(1000-221 BCE) up until the era of the First Emperor (221-210 BCE) Part Two treats Confucianism as a religious tradition examining its scriptures, images, temples and rituals. Adopted as the state ideology in the Han dynasty, Confucian ideas permeated society for over two thousand years. Filial piety, ethical behavior and other pr...
Gu Kaizhi and the Admonitions Scroll
This volume contains twenty-one fully illustrated papers by contributors to an international colloquium held in June 2001, jointly organised by the Percival David Foundation of Chinese Art and the British Museum. It constitutes full publication of an iconic early major masterwork of Chinese figure painting which has been in the British Museum since 1903 but is rarely on display for conservation reasons. The illustrations make use of new high-quality digital photography of every aspect of the world-famous scroll.
The Aura of Confucius
This groundbreaking study highlights the importance of images within Confucianism and to a shrine-tomb for Confucius's buried robe and cap.
