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Twenty-Five Women Who Shaped the Ottoman Empire
Twenty-Five Women Who Shaped the Ottoman Empire is a tale of how women’s triumphs as well as their failures shaped a global society—not despite, but because of, gender. The Ottoman Empire was among the longest-lived polities in history, stretching between the thirteenth and twentieth centuries across three continents, several seas, and scores of cities, deserts, mountain ranges, rivers, and forests. This volume provides a compendium of idiosyncratic life stories and explores how women from these eras and regions understood the shape of the world in which they lived, and how they brought their consciousness of their gender to their efforts to re-shape it. Among the questions explored in t...
Travel Writing in Dutch and German, 1790-1930
This volume focuses on how travel writing contributed to cultural and intellectual exchange in and between the Dutch- and German-speaking regions from the 1790s to the twentieth-century interwar period. Drawing on a hitherto largely overlooked body of travelers whose work ranges across what is now Germany and Austria, the Netherlands and Dutch-speaking Belgium, the Dutch East Indies and Suriname, the contributors highlight the interrelations between the regional and the global and the role alterity plays in both spheres. They therefore offer a transnational and transcultural perspective on the ways in which the foreign was mediated to audiences back home. By combining a narrative perspective...
Singing on the River
Singing on the River by Igor Chabrowski, based on Sichuan boatmen’s work songs (haozi), explores the little known world of mentality and self-representation of Chinese workers from the late 19th century until the outbreak of the Second Sino-Japanese War (1937). Chabrowski demonstrates how river workers constructed and interpreted their world, work, and gender in context of the dissolving social, cultural, and political orders. Boatmen asserted their own values, bemoaned exploitation, and imagined their sexuality largely in order to cope with their low social status. Through studying the Sichuan boatmen we gain an insight into the ways in which twentieth-century nonindustrial Chinese workers imagined their place in the society and appropriated, without challenging them, the traditional values.
Popular Literature, Authorship and the Occult in Late Victorian Britain
A study of the representation of the occult in late-Victorian popular fiction, exploring different perceptions of authorship and creativity.
Travel and Ethics
Despite the recent increase in scholarly activity regarding travel writing and the accompanying proliferation of publications relating to the form, its ethical dimensions have yet to be theorized with sufficient rigour. Drawing from the disciplines of anthropology, linguistics, literary studies and modern languages, the contributors in this volume apply themselves to a number of key theoretical questions pertaining to travel writing and ethics, ranging from travel-as-commoditization to encounters with minority languages under threat. Taken collectively, the essays assess key critical legacies from parallel disciplines to the debate so far, such as anthropological theory and postcolonial criticism. Also considered, and of equal significance, are the ethical implications of the form’s parallel genres of writing, such as ethnography and journalism. As some of the contributors argue, innovations in these genres have important implications for the act of theorizing travel writing itself and the mode and spirit in which it continues to be conducted. In the light of such innovations, how might ethical theory maintain its critical edge?
The Routledge Research Companion to Travel Writing
Showcasing established and new patterns of research, The Routledge Research Companion to Travel Writing takes an interdisciplinary approach to scholarship and to travel texts themselves. The volume adopts a thematic approach, with each contributor considering a specific aspect of travel writing – a recurrent motif, an organising principle or a literary form. All of the essays include a discussion of representative travel texts, to ensure that the volume as a whole represents a broad historical and geographical range of travel writing. Together, the 25 essays and the editors’ introduction offer a comprehensive and authoritative reflection of the state of travel writing criticism and lay the ground for future developments.
Handbook of British Travel Writing
This handbook offers a systematic exploration of current key topics in travel writing studies. It addresses the history, impact, and unique discursive variety of British travel writing by covering some of the most celebrated and canonical authors of the genre as well as lesser known ones in more than thirty close-reading chapters. Combining theoretically informed, astute literary criticism of single texts with the analysis of the circumstances of their production and reception, these chapters offer excellent possibilities for understanding the complexity and cultural relevance of British travel writing.
Modernism and the Women's Popular Romance in Britain, 1885-1925
Today’s mass-market romances have their precursors in late Victorian popular novels written by and for women. In Modernism and the Women’s Popular Romance Martin Hipsky scrutinizes some of the best-selling British fiction from the period 1885 to 1925, the era when romances, especially those by British women, were sold and read more widely than ever before or since. Recent scholarship has explored the desires and anxieties addressed by both “low modern” and “high modernist” British culture in the decades straddling the turn of the twentieth century. In keeping with these new studies, Hipsky offers a nuanced portrait of an important phenomenon in the history of modern fiction. He puts popular romances by Mrs. Humphry Ward, Marie Corelli, the Baroness Orczy, Florence Barclay, Elinor Glyn, Victoria Cross, Ethel Dell, and E. M. Hull into direct relationship with the fiction of Virginia Woolf, Katherine Mansfield, James Joyce, and D. H. Lawrence, among other modernist greats.
Journeys East
In 1883, Isabella Stewart Gardner and her husband embarked on a trip that would take them from Boston, across the Unites States and the Pacific, to Japan, China Cambodia and finally, the India of the Raj. Travelling in the wake of recent Western expansion into Asia, they were privileged guests in a world convulsed by colliding forces and identities. They visited ancient temples; met missionaries and colonial officials; toured rubble left but anti-Western riots; camped at Angkhor Wat but took first-class trains throughout India. Isabella kept a diary, bought photographs, and assembled a travel album. Back home, she became a pioneering collector of Asian art. 'Journeys East' reconstructs the G...
Carmilla
Following a near fatal carriage collision, the beautiful young Carmilla is taken in by the narrator Laura and her father. The two young women become strangely attracted to each other, but there seems to be more to Carmilla than meets the eye. After her arrival in the village, local peasants begin to die and Laura falls ill and languishes. What is Carmilla's true identity, and can she be to blame? A thrilling Victorian tale of horror and mystery and a major influence on Stoker's Dracula, Carmilla remains one of Sheridan Le Fanu's most enduring works. This Valancourt Books edition, the first-ever scholarly edition of Le Fanu's novella, follows the rare original text as it appeared serially in The Dark Blue in 1871-72 (including the original illustrations) and includes a new introduction and footnotes by Jamieson Ridenhour. Also featured in this edition is a wealth of contextual material, including texts by Yeats, Coleridge, Stoker, Padraig Pearse, and others, and the complete texts of Le Fanu's "The Child that Went with the Fairies" and F.G. Loring's "The Tomb of Sarah."
