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Performance, Theatricality and the Us Presidency
Proposes a new perspective on the contemporary rise of mainstreamed populism by exploring features of populist-style politics through the lens of distrust
Casting the Art of Rhetoric with Theater and Drama
This edited volume applies rhetorical methodologies to dramatic literature and performative text, exploring a wide range of themes, including musical theater, revivals, children's theater, disabilities, democracy, architecture, space, theosophy, and interfaith communication.
Practice as Research in the Arts (and Beyond)
This project addresses the contexts of Practice as Research and how to undertake it. This second iteration updates thinking and practices but sustains a direct and clear approach on how to become a practitioner-researcher. New features include an extension of range “beyond” the arts and a case for intra-disciplinarity in Practice Research as an influence in the formation of the “future university”. A comparison is made between Artistic Research and Practice Research recognizing that research through practices with being-doing-knowing is central to both. Acknowledging the current crisis in legitimation, a broad view is taken of how things might be known by an onto-epistemology for the twenty-first century foregrounding the bodymind but sustaining rationality and community by way of Other/other dialogic exchange. Perspectives from around the world in Part II offset the more Eurocentric emphasis in Part I.
Bodies, Spaces, Claims
There is no political representation without performance. When politicians, protesters, and even celebrities appear in public, they make or constitute political representation by performing it, shaping how we view roles and institutions and imagine society. Building theory through rich case studies—from the festival stage to the toppling of statues, and from presidential inaugurations to parliaments and council chambers - the book deepens our understanding of political representation by exploring how embodied action in different spaces creates representative claims in our highly mediatized contemporary politics. It shows how a performative take on representation is critical to our understanding of: the symbolism of political authority; the limits of democratic leadership; the politics of material spaces and presences; political empowerment and disempowerment; and the claim to and denial of authenticity in political life.
Bodies That Still Matter
Since the appearance of her early-career bestseller Gender Trouble in 1990, American philosopher Judith Butler is one of the most influential thinkers in academia. Her work addresses numerous socially pertinent topics such as gender normativity, political speech, media representations of war, the democratic power of assembling bodies, and the force of nonviolence. The volume Bodies That Still Matter: Resonances of the Work of Judith Butler brings together essays from scholars across academic disciplines who apply, reflect on, and further Butler’s ideas in their own research. It includes a new essay by Butler herself, from which it takes its title. Organized around four key themes in Butler’s scholarship – performativity, speech, precarity, and assembly – the volume offers an excellent introduction to the contemporary relevance of Butler’s thinking, a multi-perspectival approach to key topics of contemporary critical theory, and a testimony to the vibrant interdisciplinary discourses characterizing much of today’s humanities research.
The ^AOxford Handbook of Politics and Performance
While political scientists and political theorists have long been interested in social and political performance, and theatre and performance researchers have often focused on the political dimensions of the live arts, the interdisciplinary nature of this labor has typically been assumed rather than rigorously explored. This volume brings together leading scholars in the fields of Politics and Performance--drawing on experts across the fields of literature, law, anthropology, sociology, psychology, and media and communiction, as well as politics and theatre and performance--to map out and deepen the evolving interdisciplinary engagement. Organized into seven thematic sections, the volume investigates the relationship between politics and performance to show that certain features of political transactions shared by performances are fundamental to both disciplines--and that to a large extent they also share a common communicational base and language.
Iowa State Gazetteer and Business Directory
Vol. 1 (1880/81); v. 2 (1882/83); v. 3 (1884/85); v. 4 (1887/88); v. 5 (1889/90); v. 6 (1891/92); v. 7 (1892/93); v. 8 (1895/96); v. 9 (1897/98); v. 10 (1899/1900); v. 11 (1901/02); v. 12 (1903/04); v. 13 (1905/06); v. 14 (1908/09); v. 15 (1910/11); v. 16 (1912/13); v. 17 (1914/15); v. 18 (1916/17); v. 19 (1918/19); v. 20 (1922/23).
A Gathering of Ketchum Kindred
Benjamin Ketchum was born in 1804 in New York. About 1820 he moved to Ohio where he married Rhoda Benn Ketchum. They had eight children and remained in Ohio for the rest of their lives. After Benjamin's death Rhoda married John Roszell. Today descendants live in Ohio, Indiana, Texas, Washington, and elsewhere.
1994 Directory
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Legislative Journal
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