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Everyday Genius
From Henry Darger's elaborate paintings of young girls caught in a vicious war to the sacred art of the Reverend Howard Finster, the work of outsider artists has achieved unique status in the art world. Celebrated for their lack of traditional training and their position on the fringes of society, outsider artists nonetheless participate in a traditional network of value, status, and money. After spending years immersed in the world of self-taught artists, Gary Alan Fine presents Everyday Genius, one of the most insightful and comprehensive examinations of this network and how it confers artistic value. Fine considers the differences among folk art, outsider art, and self-taught art, explain...
Genealogies in the Library of Congress
Vol 1 905p Vol 2 961p.
Legal Papers of Andrew Jackson
The Papers of Andrew Jackson is a project to collect and publish Jackson's entire extant literary record. The project is now producing a series of seventeen volumes that will bring Jackson's most important papers to the public in easily readable form. PDFs of all published volumes through 1833 are now available for free, immediate download via the University of Tennessee's Newfound Press. Also online is the Library of Congress's Andrew Jackson Papers, a digital archive that provides direct access to the manuscript images of many of the Jackson documents transcribed and annotated in our volumes. Rotunda's American History Collection hosts digital versions of all our volumes, with advanced features such as cross-volume and cross-collection searching and links pairing documents with manuscript images on the Library of Congress's Jackson Papers site.
Thornton Dial
Thornton Dial (1928-2016), one of the most important artists in the American South, came to prominence in the late 1980s and was celebrated internationally for his large construction pieces and mixed-media paintings. It was only later, in response to a reviewer’s negative comment on his artistic ability, that he began to work on paper. And it was not until recently that these drawings have received the acclaim they deserve. This volume, edited by Bernard L. Herman, offers the first sustained critical attention to Dial’s works on paper. Concentrating on Dial’s early drawings, the contributors examine Dial’s use of line and color and his recurrent themes of love, lust, and faith. They also discuss the artist’s sense of place and history, relate his drawings to his larger works, and explore how his drawing has evolved since its emergence in the early 1990s. Together, the essays investigate questions of creativity and commentary in the work of African American artists and contextualize Dial’s works on paper in the body of American art. The contributors are Cara Zimmerman, Bernard Herman, Glenn Hinson, Juan Logan, and Colin Rhodes.
The Filson Club History Quarterly
Includes list of members.
Choice
None
Mid-America Folklore
None
Appalachian Journal
A regional studies review.
