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Engaged Resistance
From Sherman Alexie's films to the poetry and fiction of Louise Erdrich and Leslie Marmon Silko to the paintings of Jaune Quick-To-See Smith and the sculpture of Edgar Heap of Birds, Native American movies, literature, and art have become increasingly influential, garnering critical praise and enjoying mainstream popularity. Recognizing that the time has come for a critical assessment of this exceptional artistic output and its significance to American Indian and American issues, Dean Rader offers the first interdisciplinary examination of how American Indian artists, filmmakers, and writers tell their own stories. Beginning with rarely seen photographs, documents, and paintings from the Alc...
Mac Schweitzer
This richly illustrated book traces the life and career of Mac Schweitzer (1921-1962), once renowned as a mid-twentieth-century painter of southwestern scenes--wildlife, Native American families and craftspeople, landscapes, and semi-abstractions. Six decades after the artist's death, author Ann Lane Hedlund has rediscovered an artistic legacy full of intriguing stories, successful shows and awards, and a fascinating, diverse body of artwork never before seen in public.
Undermining
"A marvelous slim book [that] weaves . . . ideas, facts, images, and histories into a whole about . . . the ecology of the manmade world." —Rebecca Solnit In Undermining, the award-winning author, art historian and social critic Lucy R. Lippard delivers "another trademark work" that combines text and full-color images to explore "the intersection of art, the environment, geography and politics" ( Kirkus Reviews). Working from her own experience of life in a New Mexico village, and inspired by the gravel pits in the surrounding landscape, Lippard addresses a number of fascinating themes—including fracking, mining, land art, adobe buildings, ruins, Indian land rights, the Old West, tourism...
Visualities
In recent years, works by American Indian artists and filmmakers such as Jaune Quick-To-See Smith, Edgar Heap of Birds, Sherman Alexie, Shelley Niro, and Chris Eyre have illustrated the importance of visual culture as a means to mediate identity in contemporary Native America. This insightful collection of essays explores how identity is created and communicated through Native film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work. Taking an interdisciplinary approach, Visualities: Perspectives on Contemporary American Indian Film and Art draws on American Indian Studies, American Studies, Film Studies, Cultural Studies, Women’s Studies, and Postcolonial Studies. Among the artists examined are Hulleah J. Tsinhnahjinnie, Eric Gansworth, Melanie Printup Hope, Jolene Rickard, and George Longfish. Films analyzed include Imprint, It Starts with a Whisper, Mohawk Girls, Skins, The Business of Fancydancing, and a selection of Native Latin films.
Earthlings
Palmore used his technical virtuosity to explore his passion for the animal kingdom. Then as today, his monumental paintings received critical acclaim, and his incongruous juxtapositions of realistic primates in silk-and-velvet interiors earned him the nickname Gorilla Man. In all cases, Palmore's paintings loom large not only in scale but also in raised consciousness of the "earthlings with whom we share this planet," as he says.
Olivier Mosset
catalog in conjunction with an exhibition of paintings and sculpture by Swiss-American artist Olivier Mosset at the Tucson Museum of Art
Indian Style
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An Eclectic Eye
Information and illustrations relation to selections from the Dan Leach Collection of fine art.
Andrew Young
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Art in America
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