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Proving fruitful in various applications throughout its two millennia of predominance, the rhetorical téchne appears to have entertained a particularly symbiotic interrelation with drama. With contributions from (among others) a Classicist, historical, linguistic, musicological, operatic, cultural and literary studies perspective, this publication offers interdisciplinary assessments of specific reciprocities between the system of rhetoric and dramatic works: tracing the longue durée of this nexus—highlighting its Ancient foundations, its various Early Modern formations, as well as certain configurations enduring to this day—enables describing shifting degrees of rhetoricity; approachi...
Durs Grünbein is the most significant poet and essayist in German today. No other modern German poet has written from such an emphatically European and global perspective, and this volume seeks to present the poet and his work to the English-speaking world in all their significance and breadth. Written by a line-up of international scholars and critics, the volume offers highly readable and wide-ranging essays on Grünbein’s substantial œuvre, complemented by specially commissioned material and an interview with the poet. It covers the German and European traditions, and engages with Grünbein’s works in the context of a number of relevant topics, such as ‘memory’, ‘urban life’, ‘mortality’, ‘love’, and ‘presence’; it also probes Grünbein’s sustained dialogue with the natural sciences and the visual arts.
This monograph examines the most prestigious political paintings created in Britain during the High Baroque age. It investigates a period characterized by numerous social, political, and religious crises, in the years between the restoration of the Stuart monarchy (1660) and the death of the first British monarch from the House of Hanover (1727). On the basis of hitherto unpublished documents, the book elucidates the creation and reception of nine major commissions that involved the court, private aristocratic patrons, and/or civic institutions. The ground-breaking new interpretations of these works focus on strategies of conflict resolution, the creation of shared cultural memories, processes of cultural translation, the performative context of the murals and the interaction of painted images and architectural spaces.
Shows that analyzing meter as it is discussed and deployed in different historical moments offers crucial insights about language and how human beings use it, and explores how meter illuminates the interplay of culture, cognition, emotion, and embodiment.
What is art? What does art offer? Why does art move us? The CRC Different Aesthetics pursues these questions. In doing so, and by directing its attention towards the 2000-year history of European culture and art before the 18th century, it aims to transform perspectives within aesthetic discussions. This volume introduces the research undertaken by the CRC 1391. It outlines the benefits of concentrating on the pre-modern period, lays out the subsequent adjustments to analytical tools and methods, and presents the resulting consequences for the study of aesthetics. The contributions, which range from philology and literary studies, art history, archaeology, and musicology to historical science, theology, and the digital humanities offer concrete examples of this approach.
In many years of collaboration a research group with scholars from Germany, Austria, Switzerland and the United States has looked intot he most recent developments of Hollywood and its movie productions of the 1990s and the first years of the new country.
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