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A Critical Companion to Terry Gilliam
A Critical Companion to Terry Gilliam provides a fresh, up-to-date exploration of the director’s films and artistic practices, ranging from his first film Monty Python and the Holy Grail (1975) to his recently released and latest film The Man Who Killed Don Quixote (2018). This volume presents Gilliam as a director whose films weave together an avant-garde cinematic style, imaginative exaggeration, and social critique. Consequently, while his films can seem artistically chaotic and thus have the effect of frustrating and upsetting the viewer, the essays in this volume show that this is part of a very disciplined creative plan to achieve the defamiliarization of various accepted notions of human and social life.
American Television’s Live Coverage of the 9/11 Attacks
This book analyzes the narratives and news coverage of 9/11 across ABC, NBC, CBS, CNN, and Fox News—the five most important American television news networks at the time. Though America’s collective memory of the key events of 9/11 have solidified, Paul Arras demonstrates how muddled and chaotic the experience was due to the unique difficulties television journalists faced during the event. By examining that morning’s media coverage, Arras assesses the quality of the live journalism, suggesting key differences in the television experience for audiences watching different networks and observing the consequences of differing styles of communication among anchors and other journalists. Approaching 9/11 as a unique television experience in American history, Arras locates and identifies the building blocks of America’s memory of 9/11 while also revisiting many dramatic television moments that have been forgotten. Ultimately, this book reveals the ways in which television coverage shaped the cultural meaning, collective memory, and language of 9/11 in ways that continue to resonate throughout American culture.
Visualizing Orientalness
In the early twentieth century Hollywood was fascinated by the Far East. Chinese immigrants, however, were excluded since 1882 and racism pervaded U.S. society. When motion pictures became the most popular form of entertainment, immigration and race were heavily debated topics. 'Visualizing Orientalness' is the first book that analyses the significance of motion pictures within these discourses. Taking up approaches from the fields of visual culture studies and visual history, Björn A. Schmidt undertakes a visual discourse analysis of films from the 1910s to 1930s. The author shows how the visuality of films and the historical discourses and practices that surrounded them portrayed Chinese immigration and contributed to notions of Chinese Americans as a foreign and other race.
Interior Design
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Art in the Age of Terrorism
Art in the Age of Terrorism tackles one of the most difficult topics imaginable - a war that is quintessentially postmodern in its decentred identity, globalized character and confused conflict of cultures. In this publication both artists and critics explore in a series of essays the various ways in which art can help articulate the zone of grey that lies behind the black and white term 'terrorism'. A significant number of the texts deal with the theme of 'the unspeakable', from a number of perspectives. An international plurality of voices is offered in this book, addressing key works by artists from New York, Northern Ireland, South Africa, Lebanon and Israel, many of them profoundly moving and poignant. A number of contributors address the problems facing refugees from terror in the post-9/11 era, exploring the cruel logic by which the contemporary refugee from terror is often perceived as a terrorist and treated accordingly.
Voices in Ruins
In the defeat and occupation of Germany that followed the Second World War, the radio remained a vital part of everyday life for most Germans. Voices in Ruins explores in detail the continuities and discontinuities of everyday broadcasting practice at the occupied radio stations. It shows the multiple ways in which the radio stations, in interaction with their listeners, helped to fundamentally shape visions of what would become the Federal Republic, as well as memories of a German past.
Singing for Themselves
Scholars from a number of disciplines look at various artists and movements and come to some new conclusions about the ways in which female artists have contributed to the past four decades of rock, pop, blues and punk.
