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Emotions have increasingly attracted the attention of the sciences and academia. The topic is all the more timely since we have witnessed a global trend towards highly emotionalized discourses across societies and religions. Discourses are less guided by rational arguments and “facts”. Instead, narratives, sometimes manipulative, influence the thoughts and activi-ties of our societies. In this context, the authoritative texts of the monotheistic religions are experiencing a renaissance. Tanach, Bible and Qur’an do not only “emotionalize”, they also offer ancient concepts of emotions which affect the present. This book brings the interdependencies of antiquity and (post)modernity in...
This volume highlights current trends in interdisciplinary scholarship on seals and sealing practices in the ancient world, touching on fields of art history, archaeology, Assyriology, and anthropology. It comprises 33 chapters written by prominent international scholars that explore the production and use of seals and a diverse range of sealing practices in the ancient world. Contributions cover a vast geographical area that includes Anatolia, Egypt, Greece, the Indus Valley, Iran, the Levant, Mesopotamia, and Spain, from the Neolithic through the present. The volume is organized into seven parts: Image Agency, Objecthood, and Object Biography; Materiality; Text and Image; Identity; Gender;...
Justin J. White explores the nature of images in ancient Israel through a reconceptualization of the relationship between image and text. He proposes that in ancient Israel, texts evoked images as a core part of their rhetoric. Rather than conceptualizing texts and images as ontologically or functionally distinct media, he argues that both media are mixed media even while neither medium is reducible to the other. In order to make this argument, he focuses on the visual aspects of textual rhetoric-what he terms "the poetics of visuality." He builds his argument across three text-specific axes of visual rhetoric: ekphrasis, the visual imagination, and material agency. He makes the claim that each of these three axes are endemic to Israelite literature, and mutually contribute to the formation of a robust ontology of visual representation in ancient Israel.
Reconceptualizing the epic genre and opening it up to a world of storytelling, The Epic World makes a timely and bold intervention toward understanding the human propensity to aestheticize and normalize mass deployments of power and violence. The collection broadly considers three kinds of epic literature: conventional celebratory tales of conquest that glorify heroism, especially male heroism; anti-epics or stories of conquest from the perspectives of the dispossessed, the oppressed, the despised, and the murdered; and heroic stories utilized for imperialist or nationalist purposes. The Epic World illustrates global patterns of epic storytelling, such as the durability of stories tied to re...
This book concerns the ancient rock-cut monuments carved throughout the Near East, paying particular attention to the fate of these monuments in the centuries after their initial production. As parts of the landscapes in which they were carved, they acquired new meanings in the cultural memory of the people living around them. The volume joins numerous recent studies on the reception of historical texts and artefacts, exploring the peculiar affordances of these long-lasting and often salient monuments. The volume gathers articles by archeologists, art historians, and philologists, covering the entire Near East, from Iran to Lebanon and from Turkey to Egypt. It also analyzes long-lasting textual traditions that aim to explain the origins and meaning of rock-cut monuments and other related carvings.
This volume presents a comprehensive overview of gender archaeology, both theory and practice, and contributes a substantial and definitive reference work by bringing together state-of-the-art research, theoretical overviews, and the latest debates in the field. Responding to the shifts in the theoretical landscape and the societal and political frameworks within which we produce our knowledge, chapters create both a solid theoretical baseline which help readers grasp the significance of gender in archaeology as well as offer perspectives on how to engender produced knowledge about the past. In line with recent focus on the shortcomings of gender and archaeological representation, chapters a...
This volume assembles leading Near Eastern art historians, archaeologists, and philologists to examine and apply critical contemporary approaches to the arts and artifacts of the ancient Near East. The contributions in the volume, which include a comprehensive first chapter by the editor and twelve paired chapters (each of which explores a key theme of the volume through a specific case study), are divided into six sections: Representation, Context, Complexity, Materiality, Space, and Time | Afterlives. A number of sub-themes and questions also thread through the volume as a whole: how might art historical, archaeological, anthropological, and philological approaches to the Near East complem...
Catalogue.University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia --Antikenabteilung, Staatliche Museen, Berlin --Museum für Vor- und Frühgeschichte, Berlin --Metropolitan Museum of Art, New York --The Maikop collection: a historical overview.
Social Orders and Social Landscapes marks a new direction in research for Eurasian archaeology that focuses on how people lived in their local environment and interacted with their near and distant neighbours, rather than on overarching comparisons of archaeological culture complexes. Stemming from the 2005 University of Chicago Eurasian Archaeology Conference, the papers collected here reflect this new research agenda, though the way in which each author addressed the theme of the conference, and thus the book, was strikingly varied. This diversity arises out of the fieldâ (TM)s intellectual flux driven by the principled engagement of the rich analytical traditions of the Soviet/CIS, Anglo...
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